Pub Date : 2023-01-01DOI: 10.25145/j.latente.2023.21.01
Enrique Ramírez Guedes
"In this paper we address the relationship between the treatment of the gods in the Homeric epic, specifically in the Iliad, and the treatment given to them by the cinema in films based on this poem, demonstrating that the cinema mostly tries, despite the weight that the gods have in the Trojan War, to eliminate any supernatural aspect of their films, and relegating the Homeric gods, physically present in one way or another in the epic, to the dialogues, sacrifices, omens, dreams, etc., in order to adapt their results to the prevailing rationalist vision of our time.."
{"title":"De los dioses de Homero al \"evemerismo\" cinematográfico","authors":"Enrique Ramírez Guedes","doi":"10.25145/j.latente.2023.21.01","DOIUrl":"https://doi.org/10.25145/j.latente.2023.21.01","url":null,"abstract":"\"In this paper we address the relationship between the treatment of the gods in the Homeric epic, specifically in the Iliad, and the treatment given to them by the cinema in films based on this poem, demonstrating that the cinema mostly tries, despite the weight that the gods have in the Trojan War, to eliminate any supernatural aspect of their films, and relegating the Homeric gods, physically present in one way or another in the epic, to the dialogues, sacrifices, omens, dreams, etc., in order to adapt their results to the prevailing rationalist vision of our time..\"","PeriodicalId":499007,"journal":{"name":"Revista Latente","volume":"24 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135051585","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-01DOI: 10.25145/j.latente.2022.20.8
Virginia E. Higueras Rodríguez
Reseña
评论
{"title":"Elisenda Julibert (2022). Hombres fatales, metamorfosis del deseo masculino en la literatura y el cine. Barcelona: Acantilado. 160 pp.","authors":"Virginia E. Higueras Rodríguez","doi":"10.25145/j.latente.2022.20.8","DOIUrl":"https://doi.org/10.25145/j.latente.2022.20.8","url":null,"abstract":"Reseña","PeriodicalId":499007,"journal":{"name":"Revista Latente","volume":"19 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135053780","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-01DOI: 10.25145/j.latente.2023.21.03
Diana Celeste García Izquierdo
"The independent Irish animation studio Cartoon Saloon, one of the greatest examples of European animation, has created a series of films based on Celtic Irish mythology throughout their short but prosperous career. In their films they reflect the stories of fairies and druids intertwined with the reality of a country tormented throughout history. In this article we’ll analyse these myths, the sources they’re based on, and how the studio uses them and updates them to tell new stories based on the stories of yore."
{"title":"El mundo bajo la máscara: el vórtice creativo en Le Fantôme de l’Opera","authors":"Diana Celeste García Izquierdo","doi":"10.25145/j.latente.2023.21.03","DOIUrl":"https://doi.org/10.25145/j.latente.2023.21.03","url":null,"abstract":"\"The independent Irish animation studio Cartoon Saloon, one of the greatest examples of European animation, has created a series of films based on Celtic Irish mythology throughout their short but prosperous career. In their films they reflect the stories of fairies and druids intertwined with the reality of a country tormented throughout history. In this article we’ll analyse these myths, the sources they’re based on, and how the studio uses them and updates them to tell new stories based on the stories of yore.\"","PeriodicalId":499007,"journal":{"name":"Revista Latente","volume":"48 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135053218","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-01DOI: 10.25145/j.latente.2022.20.9
Enrique Ramírez Guedes
Reseña
评论
{"title":"Gonzalo M. Pavés (2021). Bigas Luna. El gran fabulador. Sueños, obsesiones y algunas otras ibéricas perversiones. Laertes.","authors":"Enrique Ramírez Guedes","doi":"10.25145/j.latente.2022.20.9","DOIUrl":"https://doi.org/10.25145/j.latente.2022.20.9","url":null,"abstract":"Reseña","PeriodicalId":499007,"journal":{"name":"Revista Latente","volume":"19 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135051584","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-01DOI: 10.25145/j.latente.2023.21.04
Elías Pestano López, Christopher Eloy Vegas Rodríguez
"In the last decade, the consumption of anime has experienced a considerable popularity rise in the Western world. This demand is related to the appearance of entertainment streaming platforms which have facilitated access to the culture. Among all the audiovisual products that these services have democratized is the French animation series Code Lyoko. An animetoon from the 2000s that deals with the story of a group of young people that have to fight an A.I. from a virtual world. This research focuses on determining whether Code Lyoko was an innovative series in its technical section. Especially in the implementation of two animation models (2D and 3D) independently in the same product. A format that in this article has been baptized as parallel animation."
{"title":"Código Lyoko, la referencia de la animación paralela","authors":"Elías Pestano López, Christopher Eloy Vegas Rodríguez","doi":"10.25145/j.latente.2023.21.04","DOIUrl":"https://doi.org/10.25145/j.latente.2023.21.04","url":null,"abstract":"\"In the last decade, the consumption of anime has experienced a considerable popularity rise in the Western world. This demand is related to the appearance of entertainment streaming platforms which have facilitated access to the culture. Among all the audiovisual products that these services have democratized is the French animation series Code Lyoko. An animetoon from the 2000s that deals with the story of a group of young people that have to fight an A.I. from a virtual world. This research focuses on determining whether Code Lyoko was an innovative series in its technical section. Especially in the implementation of two animation models (2D and 3D) independently in the same product. A format that in this article has been baptized as parallel animation.\"","PeriodicalId":499007,"journal":{"name":"Revista Latente","volume":"24 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135051587","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-01DOI: 10.25145/j.latente.2023.21.02
Darío Delgado Rodríguez
High terror is characterized by its minimalist stylization and profound themes that explore dark aspects of the human condition, diverging from the conventional resources of commercial horror cinema. Using the cinema of Jordan Peele as an example, this article seeks to delve into this cycle of films, deepening into their techniques and the meanings that are hidden beneath the terror narratives they unfold. Likewise, we propose that as powerful generators of meanings, this is something we find present in horror cinema throughout the history of the medium.
{"title":"Abismos, espejos y ojos: el terror elevado a través de Jordan Peele","authors":"Darío Delgado Rodríguez","doi":"10.25145/j.latente.2023.21.02","DOIUrl":"https://doi.org/10.25145/j.latente.2023.21.02","url":null,"abstract":"High terror is characterized by its minimalist stylization and profound themes that explore dark aspects of the human condition, diverging from the conventional resources of commercial horror cinema. Using the cinema of Jordan Peele as an example, this article seeks to delve into this cycle of films, deepening into their techniques and the meanings that are hidden beneath the terror narratives they unfold. Likewise, we propose that as powerful generators of meanings, this is something we find present in horror cinema throughout the history of the medium.","PeriodicalId":499007,"journal":{"name":"Revista Latente","volume":"21 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135053220","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-01DOI: 10.25145/j.latente.2023.21.07
Hugo de Armas Estévez
José Luis Sampedro was one of the great Spanish humanists of the late twentieth century and the beginning of the new millennium. An economist, but also a novelist, poet, playwright and essayist, Sampredro was, above all, an intellectual committed to his time. Two of his novels were adapted for the cinema: El rio que nos lleva (Antonio del Real, 1989) and The Etruscan Smile (La sonrisa etrusca, Oded Binnun and Mihal Brezis, 2018). This interview explores his relationship with cinema, his myths and his preferences. The writer expresses, with his characteristic freedom, his opinions about different films that had left an impression on him throughout his life, about the future of cinema and about the work of some of the filmmakers who most interested him. In short, it is an in-depth conversation on the undeniable influence that this modern artistic manifestation has had on contemporary society and culture.
{"title":"El cine que nos lleva. Entrevista con José Luis Sampedro","authors":"Hugo de Armas Estévez","doi":"10.25145/j.latente.2023.21.07","DOIUrl":"https://doi.org/10.25145/j.latente.2023.21.07","url":null,"abstract":"José Luis Sampedro was one of the great Spanish humanists of the late twentieth century and the beginning of the new millennium. An economist, but also a novelist, poet, playwright and essayist, Sampredro was, above all, an intellectual committed to his time. Two of his novels were adapted for the cinema: El rio que nos lleva (Antonio del Real, 1989) and The Etruscan Smile (La sonrisa etrusca, Oded Binnun and Mihal Brezis, 2018). This interview explores his relationship with cinema, his myths and his preferences. The writer expresses, with his characteristic freedom, his opinions about different films that had left an impression on him throughout his life, about the future of cinema and about the work of some of the filmmakers who most interested him. In short, it is an in-depth conversation on the undeniable influence that this modern artistic manifestation has had on contemporary society and culture.","PeriodicalId":499007,"journal":{"name":"Revista Latente","volume":"6 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135051583","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-01DOI: 10.25145/j.latente.2023.21.05
Fernando Becerra Bolaños
The absence of the Canarian accent in the Spanish Cinema and TV Series is perceived by the inhabitants of the Archipelago as an element of marginality compared to other accents of the Spanish state. However, it is more widespread than we might think as there is a tradition of a type of diction, intonation and melody called «neutral», heir to classical theatre, radio and film dubbing; that was imposed in all film productions in Spanish since the beginning of the last century. The latest Canarian productions generate hope by opening the ear beyond the neutral accent and educating from the richness of one of the outermost European accents. Perhaps in the future our Canarian accent, heir, mestizo and open, but warm and closer to the speech of millions of Spanish-speakers can serve as a substitute for the neutral Castilian accent in audiovisual productions in our language. In this paper we try to analyze more in detail.
{"title":"El acento canario en el cine y el teatro españoles: un primer acercamiento","authors":"Fernando Becerra Bolaños","doi":"10.25145/j.latente.2023.21.05","DOIUrl":"https://doi.org/10.25145/j.latente.2023.21.05","url":null,"abstract":"The absence of the Canarian accent in the Spanish Cinema and TV Series is perceived by the inhabitants of the Archipelago as an element of marginality compared to other accents of the Spanish state. However, it is more widespread than we might think as there is a tradition of a type of diction, intonation and melody called «neutral», heir to classical theatre, radio and film dubbing; that was imposed in all film productions in Spanish since the beginning of the last century. The latest Canarian productions generate hope by opening the ear beyond the neutral accent and educating from the richness of one of the outermost European accents. Perhaps in the future our Canarian accent, heir, mestizo and open, but warm and closer to the speech of millions of Spanish-speakers can serve as a substitute for the neutral Castilian accent in audiovisual productions in our language. In this paper we try to analyze more in detail.","PeriodicalId":499007,"journal":{"name":"Revista Latente","volume":"64 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135051586","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-01DOI: 10.25145/j.latente.2023.21.06
Irene C. Marcos Arteaga
Over seventy years ago, Eva Duarte was defeated by cancer, being mourned by her beloved Argentina and leaving behind her a myth that is still more alive than ever. Far from being forgotten, Evita returns repeatedly as a true contemporary icon. This paper has two objectives: first is to point out the importance of cinema and theatre as a way of spreading and creation of ideas and identities; in this case, of political hagiographies that transform their characters into icons of undoubted strength, sublimating their miseries and heroizing their triumphs. Secondly, we will unravel the key elements that were used to create the hagiography of Eva Perón, a manipulated image who ruled a country protected by her union with General Perón.
{"title":"¡Santa, oh Santa Evita! La mujer y el mito a través del audiovisual del siglo XXI","authors":"Irene C. Marcos Arteaga","doi":"10.25145/j.latente.2023.21.06","DOIUrl":"https://doi.org/10.25145/j.latente.2023.21.06","url":null,"abstract":"Over seventy years ago, Eva Duarte was defeated by cancer, being mourned by her beloved Argentina and leaving behind her a myth that is still more alive than ever. Far from being forgotten, Evita returns repeatedly as a true contemporary icon. This paper has two objectives: first is to point out the importance of cinema and theatre as a way of spreading and creation of ideas and identities; in this case, of political hagiographies that transform their characters into icons of undoubted strength, sublimating their miseries and heroizing their triumphs. Secondly, we will unravel the key elements that were used to create the hagiography of Eva Perón, a manipulated image who ruled a country protected by her union with General Perón.","PeriodicalId":499007,"journal":{"name":"Revista Latente","volume":"85 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135053213","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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