Watching Doraemon: Dismantling hegemony in a Japanese popular series

Diksi Pub Date : 2023-09-30 DOI:10.21831/diksi.v31i2.65749
Wahyu Handayani Setyaningsih, Lufi Wahidati
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Abstract

This article examines hegemony spread through Japanese popular series, Doraemon. In 2008, the character Doraemon was made the Anime Ambassador and was sent around the world to campaign for Japanese popular culture. This appointment is part of the Japanese government's public diplomacy strategy. Doraemon is then synonymous with the perfect character figure, which has become one of the symbols of the progress of the Japanese state. Hegemony theory is used to dissect how ideology works through characters that have become state icons and are widely accepted with a very positive image. The results of the analysis show that patriarchal hegemony works through the depiction of scary female characters, male superiority, and the role of the media as a means of ideological dissemination. The Doraemon series preserves the patriarchy wrapped in a beautiful dream story of a future with Japan's advanced technology.
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看日本人气剧《哆啦a梦:瓦解霸权》
本文考察的是通过日本人气电视剧《哆啦a梦》传播的霸权主义。2008年,哆啦a梦被任命为动漫大使,并被派往世界各地宣传日本流行文化。这是日本政府公共外交战略的一部分。哆啦a梦是完美人物形象的代名词,成为日本国家进步的象征之一。霸权理论是用来剖析意识形态是如何通过那些已经成为国家象征并以非常积极的形象被广泛接受的人物来发挥作用的。分析结果表明,父权霸权通过对恐怖女性角色的刻画、男性的优越感以及媒介作为意识形态传播手段的作用发挥作用。《哆啦a梦》系列以日本先进技术的美好未来为背景,保留了父权制。
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