ON THE CRISIS OF CULTURE AND MAN IN THE «FAR-FETCHED» TRADITIONALISM OF R.GUENON

Tatyana Viktorovna BORISOVA, Stanislav Sergeevich BESKARAVAINYI
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Abstract

The problem of the crisis situation of Western European culture at the beginning of the 19th century became the central problem in the ideological heritage of R. Guenon. In his reflections, the French thinker turns to the consideration of the role and significance of traditions in the life of a person and society. R.Guenon fills the term “tradition” with his semantic load, making this term a key element in his philosophy. The reflexive space of Guénon’s philosophy is the sphere of the philosophy of religion and it is difficult to attribute it to the sphere of religious philosophy. This difficulty lies in the departure of the French thinker from the traditions of the Christian worldview to the ideological foundations of Eastern mysticism, agnosticism and theosophical views. Perhaps it is these preferences of Guénon that lead the researchers of his work to the idea that he is, in a certain sense, the “forerunner” of the postmodern era in Europe. Tradition and the crisis of traditions for the philosopher are considered as the main subject of study. The scale of historical and philosophical analysis is taken by the thinker without embarrassment as wide as possible. Ultimately, the very crisis of culture for Guenon can and must serve as a transition to a new stage in the development of culture. In this new stage, a syncretic creative renewal of world religions on the basis of the Eastern mysteries will take place. The cyclic concept of the author’s history does not retain its traditional connection with the Christian understanding of the future, the loss of the Christian eschatological understanding of man. the Renaissance is declared a break point with the traditional understanding of being. For a philosopher, tradition is not reduced to folk custom. And already at this stage, we are witnessing Guénon’s attempt to give the established philosophical terms their own sound, fitting them to his concept and esoteric context.
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论格农“牵强”的传统主义中的文化与人的危机
19世纪初西欧文化的危机状况问题成为盖农思想遗产的中心问题。在他的反思中,这位法国思想家转而思考传统在个人和社会生活中的作用和意义。R.Guenon用他的语义负荷填满了“传统”这个术语,使这个术语成为他哲学中的一个关键元素。古萨农哲学的反思空间是宗教哲学的领域,很难将其归属于宗教哲学的领域。这一困难在于法国思想家从传统的基督教世界观转向东方神秘主义、不可知论和神智观的思想基础。也许正是古萨姆农的这些偏好,让研究他作品的人认为,在某种意义上,他是欧洲后现代时代的“先驱”。传统和传统的危机被认为是哲学家研究的主要主题。历史和哲学分析的尺度被思想家毫不尴尬地尽可能地扩大。最终,对于盖农来说,文化危机本身能够而且必须作为文化发展的一个新阶段的过渡。在这个新阶段,世界宗教将在东方神秘的基础上进行一场融合的创造性复兴。作者历史的循环概念并没有保留其与基督教对未来的理解的传统联系,失去了基督教对人的末世论理解。文艺复兴被认为是对存在的传统理解的一个转折点。对一个哲学家来说,传统不应沦为民间习俗。在这个阶段,我们已经看到古姆萨农试图给既定的哲学术语赋予自己的声音,使它们适合他的概念和深奥的背景。
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15
审稿时长
12 weeks
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