Mapping Gendered Ecologies: Engaging with and Beyond Ecowomanism and Ecofeminism by K. Melchor Quick Hall and Gwyn Kirk (review)

IF 0.5 0 PHILOSOPHY Ethics and the Environment Pub Date : 2023-03-01 DOI:10.2979/een.2023.a899192
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What does it take to gather together some of the most eloquent voices of activists, teachers, farmers, artists, and organizers in an anthology focused on engaging with and beyond ecowomanism and ecofeminism, and what could this cultivate? I find Hall and Kirk's reflections on the process and their approach to collaboration illustrate some of the tools needed to address complex issues of disasters, the global pandemic, climate justice, white supremacy, gender oppression, and practices of domination. Their approach is to build relationships, acknowledge vulnerability, and appreciate differences in experiences. It seems fitting that this project initially began with Margo Okazawa-Rey who connected Hall and Kirk together. Okazawa-Rey's introduction generated the openness needed to bring this collection to fruition. Mapping as the thematic image of this collection is found in destructive boundary-making, the violence of enslavement, wars, and the dumping of contaminants in the environment. Mapping is also evident in the physical, temporal, and evolving locations in which Okazawa-Rey's work of sustaining community and recognizing interconnections across locations opens up the time and spaces to envision peace. This collection marks a shift away from the elitism of academic spaces by illuminating connections between community and university, and actively resisting against patriarchal notions of what counts as expertise and scholarship. The anthology draws attention to personal experiences as fundamentally relevant to perspectives about place, location, and [End Page 97] belonging and relations with land, water, sky and nonhumans. It begins with an autobiographical account by Hall who brilliantly weaves together her life story with her analytical insight in illustrating how Black geographies show spaces as often hard to map and in flux for the marginalized. In \"Darkness All around Me: Black Waters, Land, Animals, and Sky\" Hall notes how she is unable to discuss her understanding and relationship with Nature outside of being a Black Woman. When she poses the question, \"how would our maps be different if they were rooted in the histories and realities of people of color?\" (23) Hall pivots mapping to the contingent, unstable complexities that mark Black people's relations with land and food. In doing so, Hall reveals compelling insights into trauma, anxieties, and relationships with land and water in shifting landscapes. Connecting to the mission of Soul Fire Farm, to resist the US food apartheid and mobilize towards food justice, Hall reveals the possibilities for reparative healing properties in agricultural activities at Soul Fire Farm. Hall's narrative about racialized hierarchies recognizes how human hierarchies are connected to human-nonhuman animal divisions, raising the question of \"How might we imagine freeing ourselves and other animals from the systems that seek to devalue us as (human and nonhuman) beings?\" (27). Hall intervenes and challenges geographical mapping centered in white frameworks rooted in claims of stolen territories and measured in segregation and displacement. Pointing to Black shoals, Black food geographies, and Afrofuturism, to name a few, Hall is marking potential paths to shared liberation. Although Hall does not identify strongly as ecofeminist nor ecowomanist, this provides a promising direction for ecowomanist and ecofeminist inquiries, speaking to the need to explore what it takes for shared liberation. This direction also has the potential to offer insight into an alternative mapping for disability justice. Hall's acknowledgement of \"being out of place\" connects to the disability justice work of Sunaura Taylor (2014) and Leah Lakshmi Piepzna-Samarasinha (2018) in the mapping of access in describing surroundings and focusing on interconnectedness. In Kirk's autobiographical account, \"Roots, Branches, Wings\" she points to how Margo Okazawa-Rey (2020) introduced her to philosopher Alan Rosenberg's (1998) distinction between knowing and understanding. 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Abstract

Reviewed by: Mapping Gendered Ecologies: Engaging with and Beyond Ecowomanism and Ecofeminism by K. Melchor Quick Hall and Gwyn Kirk Cecilia Herles (bio) K. Melchor Quick Hall and Gwyn Kirk, Mapping Gendered Ecologies: Engaging with and Beyond Ecowomanism and Ecofeminism. Lanham, MD: Rowman & Littlefield, 2021. ISBN- 978-1-7936-3946-2 K. Melchor Quick Hall and Gwyn Kirk are leading feminist authors who have beautifully woven together an inspiring and diverse collection of essays in the anthology, Mapping Gendered Ecologies: Engaging with and beyond Ecowomanism and Ecofeminism. What does it take to gather together some of the most eloquent voices of activists, teachers, farmers, artists, and organizers in an anthology focused on engaging with and beyond ecowomanism and ecofeminism, and what could this cultivate? I find Hall and Kirk's reflections on the process and their approach to collaboration illustrate some of the tools needed to address complex issues of disasters, the global pandemic, climate justice, white supremacy, gender oppression, and practices of domination. Their approach is to build relationships, acknowledge vulnerability, and appreciate differences in experiences. It seems fitting that this project initially began with Margo Okazawa-Rey who connected Hall and Kirk together. Okazawa-Rey's introduction generated the openness needed to bring this collection to fruition. Mapping as the thematic image of this collection is found in destructive boundary-making, the violence of enslavement, wars, and the dumping of contaminants in the environment. Mapping is also evident in the physical, temporal, and evolving locations in which Okazawa-Rey's work of sustaining community and recognizing interconnections across locations opens up the time and spaces to envision peace. This collection marks a shift away from the elitism of academic spaces by illuminating connections between community and university, and actively resisting against patriarchal notions of what counts as expertise and scholarship. The anthology draws attention to personal experiences as fundamentally relevant to perspectives about place, location, and [End Page 97] belonging and relations with land, water, sky and nonhumans. It begins with an autobiographical account by Hall who brilliantly weaves together her life story with her analytical insight in illustrating how Black geographies show spaces as often hard to map and in flux for the marginalized. In "Darkness All around Me: Black Waters, Land, Animals, and Sky" Hall notes how she is unable to discuss her understanding and relationship with Nature outside of being a Black Woman. When she poses the question, "how would our maps be different if they were rooted in the histories and realities of people of color?" (23) Hall pivots mapping to the contingent, unstable complexities that mark Black people's relations with land and food. In doing so, Hall reveals compelling insights into trauma, anxieties, and relationships with land and water in shifting landscapes. Connecting to the mission of Soul Fire Farm, to resist the US food apartheid and mobilize towards food justice, Hall reveals the possibilities for reparative healing properties in agricultural activities at Soul Fire Farm. Hall's narrative about racialized hierarchies recognizes how human hierarchies are connected to human-nonhuman animal divisions, raising the question of "How might we imagine freeing ourselves and other animals from the systems that seek to devalue us as (human and nonhuman) beings?" (27). Hall intervenes and challenges geographical mapping centered in white frameworks rooted in claims of stolen territories and measured in segregation and displacement. Pointing to Black shoals, Black food geographies, and Afrofuturism, to name a few, Hall is marking potential paths to shared liberation. Although Hall does not identify strongly as ecofeminist nor ecowomanist, this provides a promising direction for ecowomanist and ecofeminist inquiries, speaking to the need to explore what it takes for shared liberation. This direction also has the potential to offer insight into an alternative mapping for disability justice. Hall's acknowledgement of "being out of place" connects to the disability justice work of Sunaura Taylor (2014) and Leah Lakshmi Piepzna-Samarasinha (2018) in the mapping of access in describing surroundings and focusing on interconnectedness. In Kirk's autobiographical account, "Roots, Branches, Wings" she points to how Margo Okazawa-Rey (2020) introduced her to philosopher Alan Rosenberg's (1998) distinction between knowing and understanding. In contrast to knowing facts that...
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绘制性别生态学:参与并超越生态女性主义和生态女性主义作者:K. Melchor Quick Hall和Gwyn Kirk
Cecilia Herles(传记)K. Melchor Quick Hall和Gwyn Kirk, Mapping Gendered ecology: engagement with and Beyond ecowomananism and Ecofeminism。兰哈姆,马里兰州:Rowman & Littlefield, 2021年。Isbn - 978-1-7936-3946-2 k。梅尔乔·奎克·霍尔和格温·柯克是著名的女权主义作家,她们在《描绘性别生态学:参与并超越生态女性主义和生态女性主义》一书中精心编织了一本鼓舞人心的、多样化的文集。怎样才能把活动家、教师、农民、艺术家和组织者最雄辩的声音聚集在一起,集中在生态女性主义和生态女性主义之外,这又能培养什么呢?我发现,霍尔和柯克对这一过程的反思以及他们的合作方式,说明了解决灾害、全球流行病、气候正义、白人至上主义、性别压迫和统治实践等复杂问题所需的一些工具。他们的方法是建立关系,承认弱点,欣赏不同的经历。这个项目最初是由冈泽雷伊(Margo Okazawa-Rey)开始的,她将霍尔和柯克联系在一起,这似乎很合适。Okazawa-Rey的介绍产生了使这个系列结出果实所需的开放性。地图作为这个系列的主题图像,在破坏性的边界划定、奴役的暴力、战争和向环境中倾倒污染物中发现。地图在物理、时间和不断发展的地点也很明显,Okazawa-Rey的工作是维持社区和认识跨地点的相互联系,为想象和平开辟了时间和空间。这个收藏标志着学术空间的精英主义的转变,通过阐明社区和大学之间的联系,并积极抵制什么是专业知识和学术的父权制观念。这本选集将人们的注意力集中在个人经历上,这些经历与地点、位置、与土地、水、天空和非人类的归属和关系有着根本的联系。这本书以霍尔的自传体叙述开始,她出色地将自己的生活故事与她的分析性洞察力结合在一起,说明了黑人地理如何显示出对边缘化群体来说往往难以描绘和不断变化的空间。在《我周围的黑暗:黑色的水、土地、动物和天空》一书中,霍尔指出,她无法讨论自己作为一名黑人女性之外对自然的理解和与自然的关系。当她提出这个问题时,“如果我们的地图植根于有色人种的历史和现实,它们会有什么不同?”霍尔把地图绘制的重点放在黑人与土地和食物关系的偶然的、不稳定的复杂性上。在这样做的过程中,霍尔揭示了对不断变化的景观中与土地和水的创伤、焦虑和关系的令人信服的见解。与灵魂之火农场的使命相联系,抵制美国食物种族隔离,动员粮食正义,霍尔揭示了灵魂之火农场农业活动中修复治疗特性的可能性。霍尔关于种族化的等级制度的叙述认识到人类的等级制度是如何与人类与非人类的动物划分联系在一起的,并提出了一个问题:“我们如何想象将自己和其他动物从试图贬低我们作为(人类和非人类)生物的系统中解放出来?”(27)。霍尔介入并挑战以白人框架为中心的地理制图,这些框架植根于对被盗领土的主张,并以种族隔离和流离失所为衡量标准。霍尔指出了黑人浅滩、黑人食物地理和非洲未来主义,仅举几例,他正在标记通往共同解放的潜在道路。虽然霍尔并没有强烈地将自己定位为生态女性主义者或生态女性主义者,但这为生态女性主义者和生态女性主义者的研究提供了一个有希望的方向,说明了探索共同解放需要什么。这个方向也有可能为残疾人司法的另一种映射提供见解。霍尔对“格格不入”的承认与Sunaura Taylor(2014)和Leah Lakshmi Piepzna-Samarasinha(2018)在描述环境和关注互联性的访问映射方面的残疾正义工作有关。在柯克的自传《根、枝、翼》(Roots, Branches, Wings)中,她指出,冈泽雷伊(Margo Okazawa-Rey, 2020)是如何向她介绍哲学家艾伦·罗森伯格(Alan Rosenberg, 1998)对认识和理解的区别的。与知道……的事实相比,……
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Mapping Gendered Ecologies: Engaging with and Beyond Ecowomanism and Ecofeminism by K. Melchor Quick Hall and Gwyn Kirk (review) Missing Voices of Ecofeminism in Environmental Governance: Consequences and Future Directions Ecofeminist Ontology in Karen Warren's Ethic 'I am cringe, but I am free': A Reparative Reading of Assuming the Ecosexual Position Karen J. Warren: Her Work in The Making of Ecofeminism
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