Confessional aspects of the architecture of wooden protestant churches in Eastern Europe in the 17th –18th centuries

Evgeny Valentinovich Khodakovsky
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Abstract

The article deals with the unique phenomenon of Protestant churches of the Peace, as well as «articular churches» of the middle of the 17th–18th centuries, built after the end of the Thirty Years’ War (1648) and the Sopron Seim (1681) in the Slavic lands of the Holy Roman Empire. Relative religious tolerance, on the one hand, and the harsh conditions in which the Protestant communities were placed among the Catholic majority, dictated the special specifics of the architecture of the wooden Protestant churches of the 1650–1770s in Swidnica, Jawor, Kežmarok, Hronsek, Leštiny, Istebne, Svätý Kríž. The main result of the study is the conclusion that the fundamental difference between «churches of the world» and «particular churches» from Catholic wooden churches lies not only in the cross-planned solution dictated by the well-known differences in the order of worship, but also in the very technique of wooden construction, which is unusual for the local East Slavic tradition. and more characteristic of North German wooden architecture. As a result, «articular» churches became a prominent phenomenon in the colorful and diverse cultural landscape of Eastern Europe. Having largely broken with local building traditions, these outstanding buildings significantly enriched the panorama of monuments of Protestant architecture of the 17th–18th centuries, which became a noticeable alternative to Catholic and Greek Catholic wooden construction. At the same time, they served the purposes of self-identification, when ethnic Poles or Slovaks who professed Protestantism and were in a minority, in every possible way through a different «architectural language», expressed in German or Scandinavian building technologies, tried to present their temple as a grandiose wooden «Noah’s Ark», on which members of the community together they make their voyage among the storms, anxieties and upheavals that filled the history of modern Europe.
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17 - 18世纪东欧木制新教教堂建筑的忏悔方面
这篇文章讨论了和平新教教堂的独特现象,以及17 - 18世纪中期的“特殊教堂”,这些教堂建于三十年战争(1648年)和神圣罗马帝国斯拉夫土地上的索普隆塞姆(1681年)结束后。一方面,相对的宗教宽容,以及新教社区被置于天主教占多数的恶劣条件,决定了1650 - 1770年代在Swidnica、Jawor、Kežmarok、Hronsek、Leštiny、Istebne、Svätý Kríž的木制新教教堂的建筑特点。研究的主要结果是得出结论,“世界教堂”和“特殊教堂”与天主教木制教堂之间的根本区别不仅在于众所周知的礼拜顺序差异所决定的交叉规划解决方案,而且在于木制建筑的技术,这对于当地的东斯拉夫传统来说是不寻常的。更具有德国北部木结构建筑的特点。因此,“特殊”教堂成为东欧丰富多彩的文化景观中的一个突出现象。这些杰出的建筑在很大程度上打破了当地的建筑传统,极大地丰富了17 - 18世纪新教建筑纪念碑的全景,成为天主教和希腊天主教木结构建筑的显著替代品。与此同时,他们也服务于自我认同的目的,当波兰人或斯洛伐克人自称是新教徒,并且是少数民族时,他们以各种可能的方式通过不同的“建筑语言”,用德国或斯堪的纳维亚建筑技术表达,试图将他们的寺庙呈现为宏伟的木制“诺亚方舟”,社区成员一起在充满现代欧洲历史的风暴,焦虑和动荡中航行。
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CiteScore
0.30
自引率
0.00%
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0
审稿时长
12 weeks
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