A Spectroscopy-Based Multi-Analytical Approach for Studies in Conservation: Decorations in the Alexander Palace (Tsarskoye Selo)

Marilena Ricci, Federico Sebastiani, Maurizio Becucci, Mikhail Rogozny, Vadim Parfenov
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Abstract

We studied the painted decorations found during recent restoration work in the Alexander Palace in Tsarskoye Selo. Optical/laser spectroscopic methods were applied to obtain a characterization of the materials, pigments, and binders in use and, possibly, their degradation. We analyzed samples of the original Art Nouveau style decoration that was detached in 2019 during conservation work at the State Office of Emperor Nicholas II. A combination of Raman microscopy, infrared spectroscopy, and elemental analysis (obtained from the optical emission following laser plasma formation) allowed us to obtain detailed information on the materials used. The precious pigments of the artist’s green-blue palette and the binder used (drying oil) were identified. A mixture of blue (Prussian blue and ultramarine blue), white (lead white and barium white), and yellow (chrome yellow and zinc yellow) pigments determined the different blue hues used. The use of bronze paint in the dark blue area, which was identified as a brass powder applied with a drying oil as a binder, was also demonstrated.
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基于光谱学的多分析方法研究亚历山大宫(Tsarskoye Selo)装饰的保存
我们研究了最近在沙皇塞洛亚历山大宫修复工作中发现的彩绘装饰。光学/激光光谱方法被用于获得材料、颜料和粘合剂的表征,以及可能的降解。我们分析了2019年在皇帝尼古拉二世国家办公室进行保护工作时分离出来的原始新艺术风格装饰样本。结合拉曼显微镜,红外光谱和元素分析(从激光等离子体形成后的光学发射中获得)使我们能够获得所用材料的详细信息。艺术家的绿蓝色调色板上的珍贵颜料和使用的粘合剂(干燥油)被确定。蓝色(普鲁士蓝和深蓝色)、白色(铅白和钡白)和黄色(铬黄和锌黄)颜料的混合物决定了所使用的不同蓝色色调。在深蓝色区域使用了青铜漆,这是一种用干燥油作为粘合剂涂抹的黄铜粉。
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