A Narrative of An Ideological Destruction: Where Do We Go Now?

IF 0.2 0 FILM, RADIO, TELEVISION CINEJ Cinema Journal Pub Date : 2023-10-20 DOI:10.5195/cinej.2023.506
Gamzenur Aygün, Ayça Tunç Cox
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Abstract

Lebanese filmmaker, actress, and screenwriter Nadine Labaki’s 2011 film Where Do We Go Now? is about the ideological manipulation that gradually results in a big conflict among people in a rural Middle Eastern village where Muslims and Christians live in a peaceful existence. Labaki is known for her politically engaged narratives which refer to the recent political past of Lebanese whilst centralizing strong female figures. Where Do We Go Now? is no exception, and thus, reflects the director's general cinematic style and political attitude. Labaki invites her audience through the comedy to question ideology which interpellates and thus constructs the individual as a subject by revealing the ways ideology creates differences, separation, and conflict among people. In this context, this article strives to analyze the film Where Do We Go Now? employing critical discourse analysis with references to Althusser's conceptualization of ideology and Subject-subject formation.
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意识形态毁灭的叙述:我们现在何去何从?
黎巴嫩电影制片人、女演员和编剧纳丁·拉巴基2011年的电影《我们现在去哪里?》是关于意识形态的操纵,逐渐导致中东一个乡村里穆斯林和基督徒和平共处的人们之间的巨大冲突。Labaki以其政治参与的叙事而闻名,这些叙事涉及黎巴嫩最近的政治历史,同时集中了强大的女性形象。我们现在要去哪里?也不例外,因此,反映了导演的一般电影风格和政治态度。Labaki通过喜剧邀请观众质疑意识形态,通过揭示意识形态如何造成人与人之间的差异,分离和冲突,从而将个人建构为主体。在此背景下,本文力图对电影《我们去哪儿》进行分析。运用批判性话语分析,参照阿尔都塞的意识形态概念化和主体-主体形成。
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CINEJ Cinema Journal
CINEJ Cinema Journal FILM, RADIO, TELEVISION-
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