{"title":"El Buscón de Quevedo: una visión grotesca y degradadora del cuerpo humano","authors":"ANA MARÍA ALONSO FERNÁNDEZ","doi":"10.47743/aic-2023-1-0004","DOIUrl":null,"url":null,"abstract":"El Buscón by Francisco de Quevedo is one of the most representative works of the Baroque narrative and the picaresque novel. Based on the constitutive features of this genre (autobiographical story addressed to a respectable person, itinerancy of the character, low social extraction, critical portrait of society), Quevedo creates a personal work in which he introduces a series of independent episodes to show the impossibility of social ascent. In the novel the body is described from different perspectives, purposes and narrative techniques, as we will show in this article. We will show the body as a result of hunger, and the scatological and grotesque as features that degrade the character, as well as the beatings and violence on the body to annul it. Finally, we will analyze some mechanisms to describe the body representative of Quevedo’s style by means of a critical approach to one of the most famous caricature portraits not only of the book but also of Spanish literature, that of “domine Cabra”. El Buscón de Francisco de Quevedo es una de las obras más re presentativas de la narrativa del Barroco y la novela picaresca. Partiendo de los rasgos constitutivos de este género (relato autobiográfico dirigido a una persona respetable, itinerancia del personaje, baja extracción social, retrato crítico de la sociedad), Quevedo crea una obra personal en la que introduce una serie de episodios independientes para mostrar la imposibilidad de ascenso social. En la novela el cuerpo es descrito desde diferentes perspectivas, propósitos y técnicas narra tivas, como mostraremos en este artículo. Aludiremos al cuerpo como reflejo del hambre, a lo escatológico y grotesco como rasgos que degradan al personaje, así como los golpes y violencia sobre el cuerpo para anularlo. Finalmente analizaremos algunos mecanismos para describir el cuerpo representativos del estilo de Quevedo mediante un acercamiento crítico a uno de los retratos caricaturescos más famosos no solo del libro sino de la literatura española, el del dómine Cabra.","PeriodicalId":30923,"journal":{"name":"Acta Iassyensia Comparationis","volume":"22 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Acta Iassyensia Comparationis","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.47743/aic-2023-1-0004","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
El Buscón by Francisco de Quevedo is one of the most representative works of the Baroque narrative and the picaresque novel. Based on the constitutive features of this genre (autobiographical story addressed to a respectable person, itinerancy of the character, low social extraction, critical portrait of society), Quevedo creates a personal work in which he introduces a series of independent episodes to show the impossibility of social ascent. In the novel the body is described from different perspectives, purposes and narrative techniques, as we will show in this article. We will show the body as a result of hunger, and the scatological and grotesque as features that degrade the character, as well as the beatings and violence on the body to annul it. Finally, we will analyze some mechanisms to describe the body representative of Quevedo’s style by means of a critical approach to one of the most famous caricature portraits not only of the book but also of Spanish literature, that of “domine Cabra”. El Buscón de Francisco de Quevedo es una de las obras más re presentativas de la narrativa del Barroco y la novela picaresca. Partiendo de los rasgos constitutivos de este género (relato autobiográfico dirigido a una persona respetable, itinerancia del personaje, baja extracción social, retrato crítico de la sociedad), Quevedo crea una obra personal en la que introduce una serie de episodios independientes para mostrar la imposibilidad de ascenso social. En la novela el cuerpo es descrito desde diferentes perspectivas, propósitos y técnicas narra tivas, como mostraremos en este artículo. Aludiremos al cuerpo como reflejo del hambre, a lo escatológico y grotesco como rasgos que degradan al personaje, así como los golpes y violencia sobre el cuerpo para anularlo. Finalmente analizaremos algunos mecanismos para describir el cuerpo representativos del estilo de Quevedo mediante un acercamiento crítico a uno de los retratos caricaturescos más famosos no solo del libro sino de la literatura española, el del dómine Cabra.