Aspects of style attribution arrangement of cover version of pop-vocal composition

Stepan Giga, Larysa Oparyk
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Abstract

The purpose of the research is to theoretically develop methods of characterisation and attribution of the style of arranging a pop-vocal composition. The algorithm of analytical actions in the process of auditory examination of the specifics of the musical language of the arrangement aimed at identifying the genesis of the style profile of a pop-vocal composition is determined. In this regard, the parameters of tempo rhythm and phonism are defined as the basic criteria for recognising the stylistic dominant of the instrumental component of a song genre composition. The research methodology is based on a comprehensive study of the creative specifics of pop-song arrangements using a systematic typological approaches, inductive and structural-functional methods of analysing musical compositions, and also includes a descriptive auditory method and a method of comparative stylistic characterisation of arrangements, carried out on the principle of contrasting comparisons or comparisons based on the similarity of creative methods of instrumentation, form formation, tempo rhythmic, melodic and thematic and harmonic organisation of the musical material of instrumental accompaniments, is a method of identifying the stylistic dominant (genesis) of a song genre work with a particular direction of popular, jazz, folk or academic music. The research resulted in the theoretical development of a methodology for style attribution of arrangements of cover versions of works of popular song genres.
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流行歌曲翻唱版本风格归因安排的几个方面
本研究的目的是从理论上发展流行声乐编曲风格的特征和归因方法。在对编排的音乐语言的细节进行听觉检查的过程中,分析行动的算法旨在确定流行声乐作品的风格概况的起源。在这方面,节奏、节奏和音位的参数被定义为识别歌曲类型组成的乐器成分的风格优势的基本标准。研究方法是基于对流行歌曲编曲创作特点的综合研究,使用系统的类型学方法、归纳和结构功能分析音乐作品的方法,还包括描述性听觉方法和编曲比较风格特征的方法,这些方法是根据对比比较或基于乐器创作方法相似性的比较原则进行的。形式形成,节奏节奏,旋律和主题和声组织的音乐材料的乐器伴奏,是一种识别风格主导(起源)的歌曲类型的工作与流行音乐,爵士,民间或学术音乐的特定方向的方法。研究结果导致了流行歌曲类型作品的翻唱版本安排的风格归因方法的理论发展。
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