TransArchitecture

Q4 Social Sciences WSQ Pub Date : 2023-09-01 DOI:10.1353/wsq.2023.a910086
Adrians Black Varella, Natasha Marzliak
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Abstract

TransArchitecture Adrians Black Varella (bio) and Natasha Marzliak Redefining its objectives based on the current needs for social change (based on freedom, equality, and mutual aid), Adrians Black (they/their/them)’s radical-social art and its approach to the moving contexts of present times can be a political instrument to unveil and struggle for new landscapes. Their interdisciplinary artworks take the shape of urban interventions, performances, photos, happenings, trans-media events, and environmental projects. They operate the mutual contamination of diverse media that is immersive, collaborative, and participatory in nature and intended to stimulate critical thought (articulating art with anarko-feminist-trans-queer and anti-colonial set of positions). Promoting potency space-times for the uprising of subjective identities that give power to the collective, Black created TransArchitecture drawings (2019—). The project supports the Brazilian indigenous struggle for territories, autonomy, identity difference and against the destruction of forests, operating forms of resistance to hegemonic narratives that represent subjects doomed to subalterity and deterritorialize the modern/colonial project of power, knowledge, and being. TransArchitecture also foresees architectural interference in private and collective homes of LGBTQIA+ people. Starting from the idea that the oppressive logic of rationality shapes, through architectural instrumentation, our bodies and behaviors, marginalizing and submitting bodies that are considered undesirable in a pathologizing and normative perspective of the bipartite female-male condition, TransArchitecture is insurrection. From the different movements of the bodies, it builds new spaces of life and coexistence. It is a flow of contra-position to the structures of these previously marginalized bodies that now vibrate, survivors. It is a dispositive of [End Page 258] worlds that penetrates the base of the traditional architectural structure to present new ways of being, and living together in the world. To paraphrase the philosopher Didi-Huberman, the artworks involving TransArchitecture “are like fireflies of hope.” Click for larger view View full resolution Adrians Black Varella, TransArchitecture, 2019–. Paper and ink. [End Page 259] Adrians Black Varella Adrians Black Varella is a multi-disciplinary artist who makes audio installations, photographs, drawings, performances, video-art experimentations, computer installations, and site-specific/public art works. They create and organize the AnarkoArtLab in New York City, https://www.anarkoartlab.com. Their work can be found at www.adrianavarella. net. They can be reached at adrianavarella@yahoo.com. Copyright © 2023 Adrians Black Varella
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TransArchitecture
根据当前社会变革的需求(基于自由、平等和互助)重新定义其目标,Adrians Black(他们/他们/他们)的激进社会艺术及其对当前移动环境的处理方法可以成为一种政治工具,以揭示和争取新的景观。他们的跨学科艺术作品以城市干预、表演、照片、偶然事件、跨媒体活动和环境项目的形式出现。他们经营着各种媒介的相互污染,这些媒介具有沉浸式、合作性和参与性的性质,旨在激发批判性思维(用无政府主义-女权主义-跨性别酷儿和反殖民主义的立场来表达艺术)。Black创作了跨建筑绘画(2019 -),促进了主观身份起义的时空力量,赋予了集体力量。该项目支持巴西原住民争取领土、自治、身份差异和反对森林破坏的斗争,以各种形式抵抗霸权叙事,这些叙事代表了注定要沦为次等的主体,并使现代/殖民项目的权力、知识和存在去地域性。TransArchitecture还预见了LGBTQIA+人群的私人和集体住宅的建筑干预。从理性的压迫逻辑开始,通过建筑工具,我们的身体和行为,边缘化和服从身体,这些身体在病态和规范的角度被认为是不受欢迎的,跨建筑是一场起义。从身体的不同运动中,构建新的生命与共存空间。这是一种对这些先前被边缘化的身体结构的对立流,现在这些身体在振动,幸存者。它是一种世界的分解,穿透传统建筑结构的基础,呈现新的存在方式,并在世界上共同生活。用哲学家迪迪-休伯曼(Didi-Huberman)的话来说,跨建筑的艺术作品“就像希望的萤火虫”。查看全分辨率Adrians Black Varella, TransArchitecture, 2019 -。纸和墨水。Adrians Black Varella是一位多学科艺术家,创作音频装置、摄影、绘画、表演、视频艺术实验、计算机装置和特定地点/公共艺术作品。他们在纽约创建并组织了AnarkoArtLab,网址是https://www.anarkoartlab.com。他们的工作可以在www.adrianavarella上找到。网可以通过adrianavarella@yahoo.com与他们联系。版权所有©2023 Adrians Black Varella
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来源期刊
WSQ
WSQ Social Sciences-Gender Studies
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70
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