Understanding masculinity in Turkey through the films of male auteur directors

IF 0.2 0 FILM, RADIO, TELEVISION CINEJ Cinema Journal Pub Date : 2023-10-19 DOI:10.5195/cinej.2023.413
Hasan Gürkan, Işıl Yarcı
{"title":"Understanding masculinity in Turkey through the films of male auteur directors","authors":"Hasan Gürkan, Işıl Yarcı","doi":"10.5195/cinej.2023.413","DOIUrl":null,"url":null,"abstract":"This study focuses the representation of male characters in the films of contemporary male auteur directors in Turkey. Once Upon a Time in Anatolia (Zeki Demirkubuz, 2011), Underground (Demizkubuz, 2012), and Big World (Erdem, 2016) are explored using sociological film analysis. Unlike mainstream cinema, the protagonists in these directors’ films do not demonstrate hegemonic masculinity; the supporting male characters that do demonstrate hegemonic masculinity category are not white Turks. Arguably, the male characters embody a new hybrid hegemonic masculinity that combines various masculinities to reproduce patriarchy. It can be stated that “Others” in these films are negatively affected.","PeriodicalId":41802,"journal":{"name":"CINEJ Cinema Journal","volume":"18 1","pages":"0"},"PeriodicalIF":0.2000,"publicationDate":"2023-10-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"CINEJ Cinema Journal","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5195/cinej.2023.413","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
引用次数: 0

Abstract

This study focuses the representation of male characters in the films of contemporary male auteur directors in Turkey. Once Upon a Time in Anatolia (Zeki Demirkubuz, 2011), Underground (Demizkubuz, 2012), and Big World (Erdem, 2016) are explored using sociological film analysis. Unlike mainstream cinema, the protagonists in these directors’ films do not demonstrate hegemonic masculinity; the supporting male characters that do demonstrate hegemonic masculinity category are not white Turks. Arguably, the male characters embody a new hybrid hegemonic masculinity that combines various masculinities to reproduce patriarchy. It can be stated that “Others” in these films are negatively affected.
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
通过男性导演的电影了解土耳其的男性气质
本研究聚焦于当代土耳其男性导演电影中男性角色的表现。《安纳托利亚往事》(Zeki Demirkubuz, 2011)、《地下》(Demizkubuz, 2012)和《大世界》(Erdem, 2016)采用社会学电影分析进行了探讨。与主流电影不同,这些导演的电影中的主角并不表现出霸道的男子气概;那些表现出男性霸权的配角并不是土耳其白人。可以说,男性角色体现了一种新的混合霸权男性气质,它结合了各种男性气质来再现父权制。可以说,这些电影中的“他人”受到了负面影响。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
求助全文
约1分钟内获得全文 去求助
来源期刊
CINEJ Cinema Journal
CINEJ Cinema Journal FILM, RADIO, TELEVISION-
自引率
0.00%
发文量
0
审稿时长
12 weeks
期刊最新文献
Short History of Industrialization: A Cinematographic Approach Cinematic Views on Critical Representations of the Economic Policies of the Democrat Party Era: Social Realist Film Initiatives in Turkish Cinema When Silence Becomes Overstretched: Exploring the Loud Silence in Women's Struggle for Liberation in Contemporary Nollywood The Embodiment of the Post-human Child in Malayalam Films Seeking the Political Function of Time-Image in New Turkish Cinema from a Deleuzian Perspective
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1