«Fare tutto il contrario». La Novella Senofonte e Niccolò Machiavello e le «Prosette satiriche» di Leopardi

IF 0.1 3区 文学 0 LITERATURE, ROMANCE GIORNALE STORICO DELLA LETTERATURA ITALIANA Pub Date : 2023-07-01 DOI:10.1484/j.gsli.5.136834
Franco D’Intino
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Abstract

This essay carefully analyses Leopardi’s draft of ‘Novella Senofonte e Machiavello’ (its genesis, dating, structure, sources and themes), written during the period of his so-called prosette satiriche (a project separate from that of the Operette morali, which would follow shortly thereafter) and of other incomplete writings from that time (Telesilla), as well as some philosophical and political themes that would become part of Zibaldone. In this fervent phase of creativity (1820-1822), marked by the themes of overturning and reversal, temptation, unmasking and revenge, Leopardi worked through his growing detachment from his family and traditional values, intersecting themes and problems at the core of modern European literature, i.e. the allure of money, pleasure and egotism as the sole forces driving human actions. The essay lastly examines the reasons that led Leopardi to ‘rewrite’ the Novella as the ‘Dialogo di Timandro e di Eleandro’ in the Operette Morali.
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“做相反的事情。”马基雅维利的小说《感官之源》和《马基雅维利》以及利奥帕迪的《讽刺小说》
本文仔细分析了利奥帕尔第的《马基雅维洛小说》(Novella Senofonte e Machiavello)的草稿(它的起源、年代、结构、来源和主题),它写于他所谓的“讽刺文学”(prosette satiriche)时期(这是一个与不久之后的“道德轻歌剧”(Operette morali)分开的项目)和当时其他不完整的作品(Telesilla),以及一些哲学和政治主题,这些主题后来成为齐巴尔多内的一部分。在这个狂热的创作阶段(1820-1822年),以颠覆和逆转、诱惑、揭露和复仇为主题,利奥帕尔迪逐渐脱离家庭和传统价值观,将现代欧洲文学的核心主题和问题交叉起来,即金钱的诱惑、快乐和自我中心作为驱动人类行为的唯一力量。文章最后探讨了导致利奥帕尔第将中篇小说“改写”为《道德轻歌剧》中的“对话”的原因。
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