{"title":"A proposito delle poetesse marchigiane del Trecento. Breve storia di un falso di lunga durata","authors":"Alessia Serluca","doi":"10.1484/j.gsli.5.136838","DOIUrl":"https://doi.org/10.1484/j.gsli.5.136838","url":null,"abstract":"","PeriodicalId":42967,"journal":{"name":"GIORNALE STORICO DELLA LETTERATURA ITALIANA","volume":"65 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135857305","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article proposes a new dating for Dialogo Galantuomo e Mondo, different from the date -June 1821- proposed by Giulio Augusto Levi in 1829 and reaffirmed by Ottavio Besomi in his critical edition of the Operette (1979). The arguments produced by the two scholars in defence of such an hypothesis are here questioned after carefully sifting through a series of concordances relating to the various phases in the development of Leopardi’s theoretical positions and a meticulous handwriting analysis of the autograph copy. These efforts made it possible to identify three distinct phases regarding the draft: the first involved the actual writing of the Dialogo (summer-autumn 1820); the second brought some additions to the text (summer 1821); and during the third phase a loose leaf was included with the manuscript (1823). Moreover, such a reconstruction sheds further light on the period in which Leopardi first began to compile the Operette in 1824.
本文提出了《Galantuomo e Mondo对话》的一个新的日期，不同于1821年6月，这个日期是由Giulio Augusto Levi在1829年提出的，并由Ottavio Besomi在他的轻歌剧评论版(1979)中重申的。在仔细筛选了一系列与利奥帕尔迪理论立场发展的各个阶段有关的一致性，并对亲笔手稿进行了细致的笔迹分析之后，两位学者为捍卫这一假设而提出的论点受到了质疑。这些努力使得有可能确定关于草案的三个不同阶段:第一个阶段涉及实际编写对话(1820年夏秋);第二次(1821年夏)为文本增加了一些内容;在第三阶段，手稿(1823年)中加入了一张活页。此外，这样的重建进一步揭示了利奥帕尔迪于1824年首次开始编写轻歌剧的时期。
{"title":"Sulla datazione del <i>Dialogo Galantuomo e Mondo</i>","authors":"María de las Nieves Muñiz Muñiz","doi":"10.1484/j.gsli.5.136835","DOIUrl":"https://doi.org/10.1484/j.gsli.5.136835","url":null,"abstract":"This article proposes a new dating for Dialogo Galantuomo e Mondo, different from the date -June 1821- proposed by Giulio Augusto Levi in 1829 and reaffirmed by Ottavio Besomi in his critical edition of the Operette (1979). The arguments produced by the two scholars in defence of such an hypothesis are here questioned after carefully sifting through a series of concordances relating to the various phases in the development of Leopardi’s theoretical positions and a meticulous handwriting analysis of the autograph copy. These efforts made it possible to identify three distinct phases regarding the draft: the first involved the actual writing of the Dialogo (summer-autumn 1820); the second brought some additions to the text (summer 1821); and during the third phase a loose leaf was included with the manuscript (1823). Moreover, such a reconstruction sheds further light on the period in which Leopardi first began to compile the Operette in 1824.","PeriodicalId":42967,"journal":{"name":"GIORNALE STORICO DELLA LETTERATURA ITALIANA","volume":"81 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135857061","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"<i>La diffesa degl’onori delle bellissime gentildonne vineziane </i>di Andrea Zane: una spicciolata inedita della Venezia cinquecentesca","authors":"Flavia Palma","doi":"10.1484/j.gsli.5.136837","DOIUrl":"https://doi.org/10.1484/j.gsli.5.136837","url":null,"abstract":"","PeriodicalId":42967,"journal":{"name":"GIORNALE STORICO DELLA LETTERATURA ITALIANA","volume":"84 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135857038","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"La voce delle donne: sulla V, 7 del <i>Decameron </i>","authors":"Matteo Bosisio","doi":"10.1484/j.gsli.5.136836","DOIUrl":"https://doi.org/10.1484/j.gsli.5.136836","url":null,"abstract":"","PeriodicalId":42967,"journal":{"name":"GIORNALE STORICO DELLA LETTERATURA ITALIANA","volume":"16 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135857040","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This essay carefully analyses Leopardi’s draft of ‘Novella Senofonte e Machiavello’ (its genesis, dating, structure, sources and themes), written during the period of his so-called prosette satiriche (a project separate from that of the Operette morali, which would follow shortly thereafter) and of other incomplete writings from that time (Telesilla), as well as some philosophical and political themes that would become part of Zibaldone. In this fervent phase of creativity (1820-1822), marked by the themes of overturning and reversal, temptation, unmasking and revenge, Leopardi worked through his growing detachment from his family and traditional values, intersecting themes and problems at the core of modern European literature, i.e. the allure of money, pleasure and egotism as the sole forces driving human actions. The essay lastly examines the reasons that led Leopardi to ‘rewrite’ the Novella as the ‘Dialogo di Timandro e di Eleandro’ in the Operette Morali.
本文仔细分析了利奥帕尔第的《马基雅维洛小说》(Novella Senofonte e Machiavello)的草稿(它的起源、年代、结构、来源和主题)，它写于他所谓的“讽刺文学”(prosette satiriche)时期(这是一个与不久之后的“道德轻歌剧”(Operette morali)分开的项目)和当时其他不完整的作品(Telesilla)，以及一些哲学和政治主题，这些主题后来成为齐巴尔多内的一部分。在这个狂热的创作阶段(1820-1822年)，以颠覆和逆转、诱惑、揭露和复仇为主题，利奥帕尔迪逐渐脱离家庭和传统价值观，将现代欧洲文学的核心主题和问题交叉起来，即金钱的诱惑、快乐和自我中心作为驱动人类行为的唯一力量。文章最后探讨了导致利奥帕尔第将中篇小说“改写”为《道德轻歌剧》中的“对话”的原因。
{"title":"«Fare tutto il contrario». La <i>Novella Senofonte e Niccolò Machiavello </i>e le «Prosette satiriche» di Leopardi","authors":"Franco D’Intino","doi":"10.1484/j.gsli.5.136834","DOIUrl":"https://doi.org/10.1484/j.gsli.5.136834","url":null,"abstract":"This essay carefully analyses Leopardi’s draft of ‘Novella Senofonte e Machiavello’ (its genesis, dating, structure, sources and themes), written during the period of his so-called prosette satiriche (a project separate from that of the Operette morali, which would follow shortly thereafter) and of other incomplete writings from that time (Telesilla), as well as some philosophical and political themes that would become part of Zibaldone. In this fervent phase of creativity (1820-1822), marked by the themes of overturning and reversal, temptation, unmasking and revenge, Leopardi worked through his growing detachment from his family and traditional values, intersecting themes and problems at the core of modern European literature, i.e. the allure of money, pleasure and egotism as the sole forces driving human actions. The essay lastly examines the reasons that led Leopardi to ‘rewrite’ the Novella as the ‘Dialogo di Timandro e di Eleandro’ in the Operette Morali.","PeriodicalId":42967,"journal":{"name":"GIORNALE STORICO DELLA LETTERATURA ITALIANA","volume":"33 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135857060","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"«Questio quedam exorta est»: Dante’s ‘Questio de aqua et terra’ between <i>Questio Disputata </i>and <i>Tractatus</i>, between Rhetoric and <i>Reportatio</i>, between Fact and Fiction, between Verona and Ravenna (II)","authors":"Zygmunt G. Barański","doi":"10.1484/j.gsli.5.135426","DOIUrl":"https://doi.org/10.1484/j.gsli.5.135426","url":null,"abstract":"","PeriodicalId":42967,"journal":{"name":"GIORNALE STORICO DELLA LETTERATURA ITALIANA","volume":"34 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135722647","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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