{"title":"Beauty hacks, wardrobe suggestions and DIY regimes for a Muslim bride: Analysis of bridal beauty vlogs","authors":"Athira B. K.","doi":"10.1386/jammr_00070_1","DOIUrl":null,"url":null,"abstract":"Drawing on beauty vlogs uploaded on specific Malayalam YouTube channels, the article documents the digitally mediated circulation of bodily and sartorial norms for a Muslim bride from the region of Kerala. The study explores how fashion vlogging and social media participation assist in furthering the imageries of Malayali Muslim women as neo-liberal feminine subjects by placing the role of consumption as consequential to the emerging sources of their identity. It is proposed that these vlogs catalyse the creation of a Muslim womanhood at the conjectures of cultural notions of modesty, faith and identity aspirations, arguably in the backdrop of transnational Islam and free market ideology. Furthermore, the study hints at the limitations of the analytical device of ‘Brand Islam’ in explaining facets associated with a bridal beautification scene, where the bodily and sartorial prescriptions are mediated by the diversity of co-participants involved and variations in the sartorial references endorsed.","PeriodicalId":36098,"journal":{"name":"Journal of Arab and Muslim Media Research","volume":" 10","pages":"0"},"PeriodicalIF":0.5000,"publicationDate":"2023-10-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Arab and Muslim Media Research","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1386/jammr_00070_1","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"COMMUNICATION","Score":null,"Total":0}
引用次数: 0
Abstract
Drawing on beauty vlogs uploaded on specific Malayalam YouTube channels, the article documents the digitally mediated circulation of bodily and sartorial norms for a Muslim bride from the region of Kerala. The study explores how fashion vlogging and social media participation assist in furthering the imageries of Malayali Muslim women as neo-liberal feminine subjects by placing the role of consumption as consequential to the emerging sources of their identity. It is proposed that these vlogs catalyse the creation of a Muslim womanhood at the conjectures of cultural notions of modesty, faith and identity aspirations, arguably in the backdrop of transnational Islam and free market ideology. Furthermore, the study hints at the limitations of the analytical device of ‘Brand Islam’ in explaining facets associated with a bridal beautification scene, where the bodily and sartorial prescriptions are mediated by the diversity of co-participants involved and variations in the sartorial references endorsed.