{"title":"George Sand And Body Writing As An Opposition To The Patriarchal Spirit","authors":"Ikram Chemlali","doi":"10.59271/s44970.023.1911.6","DOIUrl":null,"url":null,"abstract":"In George Sand, the female body takes the form of a discursive place where unique ideas emerge. These are placed at the service of an aesthetic novelty consisting in painting a body that wants to be the reflection of this feminine revolt in the 19th century. The novelist actually puts the female body on stage and dares to examine it as a company fighting tirelessly for a change in misogynistic thinking. The latter considers the female body as a pure tool for the satisfaction of male carnal desire. It therefore seems essential to us to ask ourselves how the organism of the woman is transformed into a mediating figure, through which the author exposes her own conception of the female body and its relationship to the sexual desire of the man. A body that dares to rise up against the patriarchal spirit, in order to impose the existence of the woman as a subject in her own right.","PeriodicalId":174402,"journal":{"name":"International Uni-Scientific Research Journal","volume":"42 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"International Uni-Scientific Research Journal","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.59271/s44970.023.1911.6","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
In George Sand, the female body takes the form of a discursive place where unique ideas emerge. These are placed at the service of an aesthetic novelty consisting in painting a body that wants to be the reflection of this feminine revolt in the 19th century. The novelist actually puts the female body on stage and dares to examine it as a company fighting tirelessly for a change in misogynistic thinking. The latter considers the female body as a pure tool for the satisfaction of male carnal desire. It therefore seems essential to us to ask ourselves how the organism of the woman is transformed into a mediating figure, through which the author exposes her own conception of the female body and its relationship to the sexual desire of the man. A body that dares to rise up against the patriarchal spirit, in order to impose the existence of the woman as a subject in her own right.