FROM PAIN TO DELIGHT IN THE LEGEND ABOUT ST. ELIZABETH (COMPLEMENTARITY AND CONTRAST)

Q3 Arts and Humanities Ezikov Svyat Pub Date : 2023-10-30 DOI:10.37708/ezs.swu.bg.v21i3.18
Kristína PAVLOVIČOVÁ
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Abstract

In addition to the motif of sexual abstinence and virginity, the dominant motif in Latin medieval legends is self-torture as an expression of an escape from the world and the suppression of corporeality. The narrator metatextually combines biblical quotations, or allusions with events from the saint’s life. In the description of their actions, a complementary updating addition to the biblical model of behavior is created. In the legend of St. Elizabeth, the saint consciously sets herself apart from the commonly expected attitudes with her reactions: she finds pleasure in humiliation and whipping, because from a moral point of view she considers the “punishments” to be deserved and likening her to Christ. Self-torture as a theme achieves here the depiction of sexual pleasure. The causes and objectives of self-torture have several interpretative variations that are not necessarily mutually exclusive. Hagiographic self-torture for religious reasons may thus appear as a phenomenon of sexual preferences. The author of the legend does not intentionally express the erotic and sexual preferences of the main character Elizabeth as a passive sufferer of pain, nor the character of master Conrad as an active executioner of punishments. Relevant events are described in the language of that time, which did not contain the means to name the sexual practices known in the culture of today. However, the author offers suggestions into the text, on the basis of which the presence of sexuality based on inversion, in which pain is transformed into pleasure, can be implied.
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圣伊丽莎白传说中的从痛苦到快乐(互补与对比)
除了禁欲和贞洁的主题之外,拉丁中世纪传说中的主要主题是自我折磨,以此作为逃避世界和压抑肉体的表达。叙述者将圣经引文或典故与圣徒生活中的事件元文本结合在一起。在描述他们的行为时,对圣经的行为模式进行了补充更新。在圣伊丽莎白的传说中,圣徒有意识地用她的反应将自己与人们普遍期望的态度区分开来:她从羞辱和鞭打中找到乐趣,因为从道德的角度来看,她认为这些“惩罚”是应得的,并将她比作基督。自我折磨作为一个主题在这里实现了对性快感的描绘。自我折磨的原因和目的有几种不同的解释,这些解释不一定是相互排斥的。因此,出于宗教原因的圣徒式自我折磨可能表现为一种性偏好现象。这个传说的作者并没有故意表现主人公伊丽莎白作为一个被动的痛苦受者的情爱和性偏好,也没有故意表现康拉德作为一个主动的惩罚执行者的角色。相关事件是用当时的语言描述的,当时的语言不包含在今天的文化中已知的性行为的名称。然而,作者在文本中提出了一些建议,在此基础上,可以暗示基于反转的性的存在,其中痛苦转化为快乐。
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来源期刊
Ezikov Svyat
Ezikov Svyat Arts and Humanities-Literature and Literary Theory
CiteScore
0.20
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发文量
60
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