Singing of Sex and Freedom: Courtesans and Erotic Arts in “Zabet”

IF 0.1 4区 文学 N/A LITERATURE, ROMANCE FRENCH REVIEW Pub Date : 2023-10-01 DOI:10.1353/tfr.2023.a911325
Brooke Tybush
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Abstract

Abstract: This article examines depictions of mixed-race courtesans in the eighteenthcentury Creole courtesan song “Zabet” which was originally transcribed in an unpublished document by the travel writer Moreau de Saint-Méry (1750–1819). My analysis of “Zabet” interrogates the intersecting oppressions of racism, sexism, and imperialism. Specifically, this article demonstrates how the lyrics of this song present a woman-to-woman sexual mentorship that provides a space of resistance for women of color to these intersecting oppressions. Through this mentorship, the song’s narrator/singer provides important lessons for mixed-race women in how to manipulate racialized and gendered stereotypes of the sexual marketplace in colonial Saint-Domingue.
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性与自由的歌唱:《扎贝特》中的妓女与情色艺术
摘要:本文考察了18世纪克里奥尔语交际花歌曲《Zabet》中对混血交际花的描写,这首歌最初是由旅行作家莫罗·德·圣·姆萨梅(1750-1819)在一份未发表的文件中抄录的。我对《Zabet》的分析探讨了种族主义、性别歧视和帝国主义相互交织的压迫。具体来说,这篇文章展示了这首歌的歌词如何呈现出一种女性对女性的性指导,为有色人种女性提供了一个抵抗这些交叉压迫的空间。通过这种指导,这首歌的叙述者/歌手为混血女性提供了重要的教训,告诉她们如何在圣多明各殖民地的性市场上操纵种族化和性别化的刻板印象。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
FRENCH REVIEW
FRENCH REVIEW LITERATURE, ROMANCE-
自引率
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发文量
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期刊介绍: The French Review is the official journal of the American Association of Teachers of French and has the largest circulation of any scholarly journal of French studies in the world at about 10,300. The Review publishes articles and reviews in English and French on French and francophone literature, cinema, society and culture, linguistics, technology six times a year. The May issue is always a special issue devoted to topics like Paris, Martinique and Guadeloupe, Québec, Francophone cinema, Belgium, Francophonie in the United States, pedagogy, etc. Every issue includes a column by Colette Dio entitled “La Vie des mots,” an exploration of new developments in the French language.
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