Basotho accordion music’s influence on Seema’s life: Capturing Africana woman’s strength

Ntsoaki T. Mokala, Lihotetso G. Matee, Mabohlokoa M.T. Khanyetsi
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Abstract

This study is propelled by the observation that although Basotho accordion music artists have contributed much to the Basotho’s lives through their music, it seems little has been done to focus on individual artists to unpack each and every artist’s music. Our conviction is that artists are individuals who have their own style, diction, themes and prowess. Therefore, this study intends to focus on Puseletso Seema’s selected songs to find out how the Basotho receive and utilise them and how her music impacts on their lives. This study is framed within Africana womanism and indigenous knowledge system to highlight the framework’s attributes through Puseletso Seema’s accordion music. It is a qualitative study and uses secondary data. It analyses four purposely selected songs that merit the notion of interest in this study to reveal specific features of Africana womanism. The study’s findings reveal that Puseletso Seema manages to encourage, motivate and show strategies that can be used to empower Basotho women through her songs. The songs further help to preserve Basotho culture and empower Basotho women to navigate through patriarchal culture and social structures.Contribution: This article confirms that Basotho accordion musicians contribute positively to the Basotho’s lives. Therefore, it is imperative that each artist’s music be recognised as expressions of individual creativity by unpacking it to find out how it contributes to the promotion of a desired society considering that music is one of the important factors that influence the society’s life. The high unemployment rate among the Basotho justifies the need to find more strategies that can be used to encourage citizens to empower themselves.
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巴索托手风琴音乐对西玛生活的影响:捕捉非洲女性的力量
虽然巴索托手风琴音乐艺术家通过他们的音乐为巴索托人的生活做出了很大的贡献,但似乎很少有人关注个别艺术家来解开每个艺术家的音乐,这一观察推动了这项研究。我们的信念是,艺术家是有自己的风格,措辞,主题和实力的个体。因此,本研究打算以Puseletso Seema精选的歌曲为研究对象,了解巴索托人是如何接受和利用这些歌曲的,以及她的音乐对他们生活的影响。本研究以非洲女性主义和本土知识体系为框架,通过普塞莱索·西马的手风琴音乐来突出框架的属性。这是一个定性研究,使用二手数据。它分析了四首有意挑选的歌曲,这些歌曲值得本研究感兴趣的概念,以揭示非洲女性主义的具体特征。研究结果显示,Puseletso Seema设法通过她的歌曲鼓励、激励并展示了可以用来赋予巴索托妇女权力的策略。这些歌曲进一步有助于保护巴索托文化,并赋予巴索托妇女在父权文化和社会结构中导航的能力。贡献:这篇文章证实了巴索托手风琴音乐家对巴索托人的生活做出了积极的贡献。因此,考虑到音乐是影响社会生活的重要因素之一,每个艺术家的音乐都必须被视为个人创造力的表达,通过打开它来找出它如何有助于促进一个理想的社会,这是势在必行的。巴索托人的高失业率证明,有必要找到更多的策略来鼓励公民赋予自己权力。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.70
自引率
66.70%
发文量
25
审稿时长
12 weeks
期刊介绍: Literator publishes research articles and essays on linguistics and literature in general, but focuses in particular on the (comparative) study of South African languages and literatures and other cultural phenomena across language, media and cultural boundaries (examples of topics would be: different manifestations of Post-Modernism, the interaction between visual arts and literature, the representation of the South African War in literature, language attitudes and language policy).
期刊最新文献
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