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Basotho accordion music’s influence on Seema’s life: Capturing Africana woman’s strength 巴索托手风琴音乐对西玛生活的影响:捕捉非洲女性的力量
0 LITERARY THEORY & CRITICISM Pub Date : 2023-10-27 DOI: 10.4102/lit.v44i1.1977
Ntsoaki T. Mokala, Lihotetso G. Matee, Mabohlokoa M.T. Khanyetsi
This study is propelled by the observation that although Basotho accordion music artists have contributed much to the Basotho’s lives through their music, it seems little has been done to focus on individual artists to unpack each and every artist’s music. Our conviction is that artists are individuals who have their own style, diction, themes and prowess. Therefore, this study intends to focus on Puseletso Seema’s selected songs to find out how the Basotho receive and utilise them and how her music impacts on their lives. This study is framed within Africana womanism and indigenous knowledge system to highlight the framework’s attributes through Puseletso Seema’s accordion music. It is a qualitative study and uses secondary data. It analyses four purposely selected songs that merit the notion of interest in this study to reveal specific features of Africana womanism. The study’s findings reveal that Puseletso Seema manages to encourage, motivate and show strategies that can be used to empower Basotho women through her songs. The songs further help to preserve Basotho culture and empower Basotho women to navigate through patriarchal culture and social structures.Contribution: This article confirms that Basotho accordion musicians contribute positively to the Basotho’s lives. Therefore, it is imperative that each artist’s music be recognised as expressions of individual creativity by unpacking it to find out how it contributes to the promotion of a desired society considering that music is one of the important factors that influence the society’s life. The high unemployment rate among the Basotho justifies the need to find more strategies that can be used to encourage citizens to empower themselves.
虽然巴索托手风琴音乐艺术家通过他们的音乐为巴索托人的生活做出了很大的贡献,但似乎很少有人关注个别艺术家来解开每个艺术家的音乐,这一观察推动了这项研究。我们的信念是,艺术家是有自己的风格,措辞,主题和实力的个体。因此,本研究打算以Puseletso Seema精选的歌曲为研究对象,了解巴索托人是如何接受和利用这些歌曲的,以及她的音乐对他们生活的影响。本研究以非洲女性主义和本土知识体系为框架,通过普塞莱索·西马的手风琴音乐来突出框架的属性。这是一个定性研究,使用二手数据。它分析了四首有意挑选的歌曲,这些歌曲值得本研究感兴趣的概念,以揭示非洲女性主义的具体特征。研究结果显示,Puseletso Seema设法通过她的歌曲鼓励、激励并展示了可以用来赋予巴索托妇女权力的策略。这些歌曲进一步有助于保护巴索托文化,并赋予巴索托妇女在父权文化和社会结构中导航的能力。贡献:这篇文章证实了巴索托手风琴音乐家对巴索托人的生活做出了积极的贡献。因此,考虑到音乐是影响社会生活的重要因素之一,每个艺术家的音乐都必须被视为个人创造力的表达,通过打开它来找出它如何有助于促进一个理想的社会,这是势在必行的。巴索托人的高失业率证明,有必要找到更多的策略来鼓励公民赋予自己权力。
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引用次数: 0
Communication challenges faced by customers who are less proficient in English and Afrikaans at two South African state-owned enterprises 南非两家国有企业英语和南非荷兰语不太熟练的客户面临的沟通挑战
IF 0.3 0 LITERARY THEORY & CRITICISM Pub Date : 2023-07-19 DOI: 10.4102/lit.v44i1.1959
Lungisani X. Khumalo, Thabo Ditsele, C. Rwodzi
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引用次数: 0
Profiling reading strategies used by Grade 10 English First Additional Language learners in two selected high schools in KwaZulu-Natal 在夸祖鲁-纳塔尔省两所选定的高中中,十年级英语第一附加语言学习者使用的阅读策略分析
IF 0.3 0 LITERARY THEORY & CRITICISM Pub Date : 2023-06-30 DOI: 10.4102/lit.v44i1.1951
T. Meyiwa
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引用次数: 0
The Composition and Contents of Kim Gi-jin"s Novel‐popularization Theory ― Rethinking of Kim Gi‐jin"s Art‐popularization theory (2) 金基镇小说大众化理论的构成与内容——对金基镇艺术大众化理论的再思考(二)
IF 0.3 0 LITERARY THEORY & CRITICISM Pub Date : 2023-06-30 DOI: 10.31313/lc.2023.06.88.138
Sun-yeong Hyeon
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引用次数: 0
A study on the imagination of ‘empty house’ in modern poetry 现代诗歌中“空房子”意象研究
IF 0.3 0 LITERARY THEORY & CRITICISM Pub Date : 2023-06-30 DOI: 10.31313/lc.2023.06.88.7
Min-suk Kim
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引用次数: 0
Surviving in a Society Where Revolution Failed - The Meaning of Reverse Transition in Kim Soo-young’s Late Poetry 在革命失败的社会中生存——金秀英晚期诗歌的逆转型意义
IF 0.3 0 LITERARY THEORY & CRITICISM Pub Date : 2023-06-30 DOI: 10.31313/lc.2023.06.88.85
Kang-ha Lee
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引用次数: 0
‘Objective Phenomenology’ and Ecological Thought in Cheon Seon-ran"s SF ― Focusing on Cheon Seon-ran"s 『Nine』 千善然科幻小说中的“客观现象学”与生态思想——以千善然的“九”为中心
IF 0.3 0 LITERARY THEORY & CRITICISM Pub Date : 2023-06-30 DOI: 10.31313/lc.2023.06.88.113
Ji-yeon Im
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引用次数: 0
The Emperor-system fascism embodied by “Ssakteuneun daeji” ― Focusing on the aspects related to ‘Chiansukjeonggongjak’ and ‘Gukminmunhak’ 以《社报大志》为代表的皇制法西斯主义——以《剑肃政工记》和《民族学》为中心
IF 0.3 0 LITERARY THEORY & CRITICISM Pub Date : 2023-06-30 DOI: 10.31313/lc.2023.06.88.49
Hak-meun Kim
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引用次数: 0
Lexical similarities between Khelobedu dialect and Tshivenḓa and Sepedi languages Khelobedu方言与Tshivenḓa和Sepedi语言的词汇相似性
IF 0.3 0 LITERARY THEORY & CRITICISM Pub Date : 2023-05-31 DOI: 10.4102/lit.v44i1.1910
T. Rakgogo, I. P. Mandende
This article endeavours to argue from a linguistic point of view for the ‘independence’ of Khelobedu, to be recognised as an additional official language in the Republic of South Africa. The speakers of Khelobedu speak neither Sepedi or Tshivenḓa as some linguists claim. From the wide range of literature on this phenomenon, some Sepedi and Tshivenḓa linguists claim that this language (Khelobedu) is their dialect. This indecisiveness leaves Khelobedu speakers in limbo. As a result, Balobedu learners end up performing poorly academically because they learn the Sepedi language as their second language instead. The purpose of this article is to argue on linguistic grounds against such a classification by the earlier linguists and missionaries as the findings succinctly provide evidence in support of this position. In attempting to dispute this classification, the content analysis method was employed for data gathering purposes. A comparative lexicostatistic approach was used to undergird the study. In terms of data, Khelobedu, Tshivenḓa and Sepedi lexical items were collected and compared to corroborate the claim. Nevertheless, Khelobedu strongly shows its ‘independence’ as do Sepedi, Sesotho, Setswana and isiZulu, isiNdebele, isiXhosa and Siswati. Furthermore, Khelobedu and Sepedi differ greatly in terms of their pronunciation. The issue around mutual intelligibility, we argue, should not be put into this equation. The article recommends that Khelobedu be regarded as an official language that Balobedu learners and students could use as a medium of teaching and learning; furthermore, Balobedu’s identity should also not be compromised.Contribution: The significance and contribution of this article to scientific knowledge resides in its contention that the classification of Khelobedu as one of the dialects of the Sepedi or Northern Sotho language lacks linguistic justification. The article further argues that this misclassification was due to the partnership that existed between the missionaries and the colonial government in consultation with their informants who only recognised varieties where the missionaries settled and operated. Therefore, it is postulated that Khelobedu should be considered a fully fledged language since it shows its own linguistic repertoire.
本文试图从语言学的角度为Khelobedu语的“独立”进行论证,Khelobedu语被认可为南非共和国的另一种官方语言。像一些语言学家声称的那样,说Khelobedu语的人既不会说Sepedi语,也不会说Tshivenḓa语。从关于这一现象的大量文献中,一些Sepedi和Tshivenḓa语言学家声称这种语言(Khelobedu)是他们的方言。这种优柔寡断让说凯罗贝杜语的人陷入了困境。结果,Balobedu学习者的学业表现很差,因为他们把Sepedi语言作为第二语言来学习。本文的目的是在语言学的基础上反对早期语言学家和传教士的这种分类,因为研究结果简洁地提供了支持这一立场的证据。在试图对这种分类提出异议时,内容分析方法被用于数据收集目的。比较词汇统计方法被用来支持这项研究。在数据方面,我们收集了Khelobedu, Tshivenḓa和Sepedi的词汇条目并进行了比较,以证实这一说法。然而,Khelobedu强烈显示出它的“独立性”,就像Sepedi, Sesotho, Setswana和isiZulu, isiNdebele, isikhosa和Siswati一样。此外,Khelobedu语和Sepedi语在发音上差别很大。我们认为,围绕相互可理解性的问题不应该放在这个等式中。文章建议将巴洛贝杜语视为一种官方语言,巴洛贝杜语学习者和学生可以将其作为教学和学习的媒介;此外,Balobedu的身份也不应该受到损害。贡献:这篇文章对科学知识的意义和贡献在于它的论点,即将Khelobedu语分类为Sepedi或北索托语的一种方言缺乏语言学上的依据。文章进一步认为,这种错误的分类是由于传教士和殖民政府之间的合作关系,他们与告密者协商,而告密者只承认传教士定居和经营的品种。因此,我们假设凯罗贝杜语应该被认为是一种完全成熟的语言,因为它显示了自己的语言曲目。
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引用次数: 0
‘If the desert could speak’: The karretjiemense of the Karoo in My Children Have Faces “如果沙漠能说话”:《我的孩子有脸》中卡鲁人的karretjiemense
IF 0.3 0 LITERARY THEORY & CRITICISM Pub Date : 2023-05-15 DOI: 10.4102/lit.v44i1.1976
Isabel Rawlins, M. Hooper
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引用次数: 0
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Literator-Journal of Literary Criticism Comparative Linguistics and Literary Studies
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