{"title":"“I Am No Foundling”: Al-Makzūn al-Sinǧārī Responds to Ibn al-Fāriḍ’s Poem of the Way","authors":"Denis E. McAuley","doi":"10.1163/15700585-20231674","DOIUrl":null,"url":null,"abstract":"This article is a translation and analysis of a poem by the Nuṣayrī (ʿAlawī) poet al-Makzūn al-Sinǧārī (d. 638/1240) responding to a masterpiece of Arabic Sufi poetry, the <jats:italic>Poem of the Way</jats:italic> by his contemporary ʿUmar b. al-Fāriḍ (d. 632/1235). Al-Makzūn uses Ibn al-Fāriḍ’s own words to paint him as a false claimant outside the genealogy of true lovers. As against Ibn al-Fāriḍ’s mysticism of identification with an immanent beloved and his focus on the holy sites, al-Makzūn posits a transcendent beloved that reflects a human image without taking human form, and a Mecca built purely on semantic associations. The poem shows that Ibn al-Fāriḍ’s alleged belief in incarnation (<jats:italic>ḥulūl</jats:italic>) was being debated from an early stage, and that Nuṣayrīs in this period engaged more closely with Sunni Sufi literature than often assumed. Al-Makzūn emerges as a subtle thinker and accomplished poet whose work has long been neglected.","PeriodicalId":8163,"journal":{"name":"Arabica","volume":"53 1","pages":""},"PeriodicalIF":0.2000,"publicationDate":"2023-12-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Arabica","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1163/15700585-20231674","RegionNum":4,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"HISTORY","Score":null,"Total":0}
引用次数: 0
Abstract
This article is a translation and analysis of a poem by the Nuṣayrī (ʿAlawī) poet al-Makzūn al-Sinǧārī (d. 638/1240) responding to a masterpiece of Arabic Sufi poetry, the Poem of the Way by his contemporary ʿUmar b. al-Fāriḍ (d. 632/1235). Al-Makzūn uses Ibn al-Fāriḍ’s own words to paint him as a false claimant outside the genealogy of true lovers. As against Ibn al-Fāriḍ’s mysticism of identification with an immanent beloved and his focus on the holy sites, al-Makzūn posits a transcendent beloved that reflects a human image without taking human form, and a Mecca built purely on semantic associations. The poem shows that Ibn al-Fāriḍ’s alleged belief in incarnation (ḥulūl) was being debated from an early stage, and that Nuṣayrīs in this period engaged more closely with Sunni Sufi literature than often assumed. Al-Makzūn emerges as a subtle thinker and accomplished poet whose work has long been neglected.