{"title":"You want a piece of me: Britney Spears as a case study on the prominence of hegemonic tales and subversive stories in online media","authors":"Alyssa Hasegawa Smith, Adina Gitomer, Brooke Foucault Welles","doi":"10.5210/fm.v28i12.13314","DOIUrl":null,"url":null,"abstract":"In this work, we seek to understand how hegemonic and subversive (counter-hegemonic) stories about gender and control are constructed across and between media platforms. To do so, we examine how American singer-songwriter Britney Spears is framed in the stories that tabloid journalists, Wikipedia editors, and Twitter users tell about her online. Using Spears’ portrayal as a case study, we hope to better understand how subversive stories come to prominence online, and how platform affordances and incentives can encourage or discourage their emergence. We draw upon previous work on the portrayal of women and mental illness in news and tabloid media, as well as work on narrative formation on Wikipedia. Using computational methods and critical readings of key articles, we find that Twitter, as a source of the #FreeBritney hashtag, continually supports counter-hegemonic narratives during periods of visibility, while both the tabloid publication TMZ and Wikipedia may lag in their adoption of the same.","PeriodicalId":38833,"journal":{"name":"First Monday","volume":"32 6","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2023-12-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"First Monday","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5210/fm.v28i12.13314","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"Computer Science","Score":null,"Total":0}
引用次数: 0
Abstract
In this work, we seek to understand how hegemonic and subversive (counter-hegemonic) stories about gender and control are constructed across and between media platforms. To do so, we examine how American singer-songwriter Britney Spears is framed in the stories that tabloid journalists, Wikipedia editors, and Twitter users tell about her online. Using Spears’ portrayal as a case study, we hope to better understand how subversive stories come to prominence online, and how platform affordances and incentives can encourage or discourage their emergence. We draw upon previous work on the portrayal of women and mental illness in news and tabloid media, as well as work on narrative formation on Wikipedia. Using computational methods and critical readings of key articles, we find that Twitter, as a source of the #FreeBritney hashtag, continually supports counter-hegemonic narratives during periods of visibility, while both the tabloid publication TMZ and Wikipedia may lag in their adoption of the same.
First MondayComputer Science-Computer Networks and Communications
CiteScore
2.20
自引率
0.00%
发文量
86
期刊介绍:
First Monday is one of the first openly accessible, peer–reviewed journals on the Internet, solely devoted to the Internet. Since its start in May 1996, First Monday has published 1,035 papers in 164 issues; these papers were written by 1,316 different authors. In addition, eight special issues have appeared. The most recent special issue was entitled A Web site with a view — The Third World on First Monday and it was edited by Eduardo Villanueva Mansilla. First Monday is indexed in Communication Abstracts, Computer & Communications Security Abstracts, DoIS, eGranary Digital Library, INSPEC, Information Science & Technology Abstracts, LISA, PAIS, and other services.