Water's Ethical Time: The Art of Deindustrialising Human‐Water Relationships

Abstract

I explore by way of a thought experiment the temporality of waterways in the context of restorative art interventions. As a substance that moves and gives form, and as a medium that retains and discharges, connects and divides, water that flows can make tangible the experiential flow of return and anticipation. Arguably, this bi‐directional structuring of time is pivotal to transformative and reparative action. If restoration means ‘going back’ to memories of ecologies and places, it does so with a generative thrust forward. This is the life‐enabling orientation of recuperation that I discern connects diverse phenomenological concepts: Deborah Bird Rose's ‘multispecies knots of ethical time’, the idea of ‘afterness’ as developed by Gerhard Richter, Gaston Bachelard's ‘rhythmic time’, and Gerald Vizenor's ‘survivance’. I bring these concepts to: (a) artistic water restoration projects that make imaginable, palpable, and real sustainable human‐water relationships, with a focus on the public works in Sydney by Turpin + Crawford Studio; (b) perspectives on water and time that Australian Indigenous thinkers have shared during my ethnographic research; and (c) the re‐naturalization of a river in Germany's postindustrial Ruhr region. I propose that thinking with water ethically and recognizing its temporal diversity opens up perspectives on the deindustrialisation of rivers and other bodies of water.