{"title":"Induction, Deduction, and Visual-Spatial Perception: The Finnegans Wake Intelligence Test","authors":"Elena Violaris","doi":"10.1353/jjq.2023.a914621","DOIUrl":null,"url":null,"abstract":"<p><p>Abstract:</p><p><i>Finnegans Wake</i> makes intense demands on its readers’ intellectual energies, and I propose that the text brings our cognitive reasoning capacities to the foreground by putting them to work. In this, the <i>Wake</i> resembles an intelligence test, calling upon abilities of deduction, induction, and visual-spatial perception. Using deduction, readers draw upon existing linguistic paradigms in order to make sense of Joyce’s neologisms, while induction involves identifying patterns created by the text itself. Moreover, “characters” such as HCE are often denoted only by the appearance of these letters, activating pattern-recognition skills. Nevertheless, identifying these references is not the end-point of studying the <i>Wake</i>, since dissecting Joyce’s text into an inventory of allusions would dissolve its artistry. Instead, discerning familiar elements in Joycean innovations is a fluid and ongoing process, where the manifestation of one’s own cognitive processes constitutes an aesthetic effect.</p></p>","PeriodicalId":42413,"journal":{"name":"JAMES JOYCE QUARTERLY","volume":null,"pages":null},"PeriodicalIF":0.1000,"publicationDate":"2023-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"JAMES JOYCE QUARTERLY","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/jjq.2023.a914621","RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE, BRITISH ISLES","Score":null,"Total":0}
引用次数: 0
Abstract
Abstract:
Finnegans Wake makes intense demands on its readers’ intellectual energies, and I propose that the text brings our cognitive reasoning capacities to the foreground by putting them to work. In this, the Wake resembles an intelligence test, calling upon abilities of deduction, induction, and visual-spatial perception. Using deduction, readers draw upon existing linguistic paradigms in order to make sense of Joyce’s neologisms, while induction involves identifying patterns created by the text itself. Moreover, “characters” such as HCE are often denoted only by the appearance of these letters, activating pattern-recognition skills. Nevertheless, identifying these references is not the end-point of studying the Wake, since dissecting Joyce’s text into an inventory of allusions would dissolve its artistry. Instead, discerning familiar elements in Joycean innovations is a fluid and ongoing process, where the manifestation of one’s own cognitive processes constitutes an aesthetic effect.
期刊介绍:
Founded in 1963 at the University of Tulsa by Thomas F. Staley, the James Joyce Quarterly has been the flagship journal of international Joyce studies ever since. In each issue, the JJQ brings together a wide array of critical and theoretical work focusing on the life, writing, and reception of James Joyce. We encourage submissions of all types, welcoming archival, historical, biographical, and critical research. Each issue of the JJQ provides a selection of peer-reviewed essays representing the very best in contemporary Joyce scholarship. In addition, the journal publishes notes, reviews, letters, a comprehensive checklist of recent Joyce-related publications, and the editor"s "Raising the Wind" comments.