Aesthetic In-Access: Notes from a CripTech Metaverse Lab

IF 0.4 4区 艺术学 0 ART LEONARDO Pub Date : 2023-12-20 DOI:10.1162/leon_a_02491
Frank Mondelli, Jennifer Justice
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Abstract

“Metaverse” technologies, such as spatial audio, virtual reality (VR), and augmented reality (AR), present new possibilities for disabled artists. To explore how artists use metaverse technologies – as well as the frictions that inhibit access – the authors describe the events of “CripTech Metaverse Lab,” which invited a cohort of disabled artists for a three-day workshop featuring metaverse experiences and a speculative design lab. Observing how participants creatively navigated these encounters, we introduce “aesthetic in-access” as a shared praxis developed bydisabled users that transforms barriers to access into artistic expression. In doing so, we outline a metaverse future that centers disabled expression and joy.
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进入美学:来自 CripTech Metaverse 实验室的笔记
空间音频、虚拟现实(VR)和增强现实(AR)等 "元宇宙 "技术为残疾艺术家带来了新的可能性。为了探索艺术家们如何使用元宇宙技术--以及阻碍使用元宇宙技术的摩擦--作者描述了 "CripTech 元宇宙实验室 "的活动,该实验室邀请了一批残疾艺术家参加为期三天的工作坊,其中包括元宇宙体验和推测性设计实验室。通过观察参与者如何创造性地驾驭这些体验,我们介绍了 "美学无障碍",这是一种由残疾用户开发的共享实践,它将无障碍障碍转化为艺术表达。在此过程中,我们勾勒出了一个以残疾人的表达和快乐为中心的元宇宙未来。
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来源期刊
LEONARDO
LEONARDO ART-
CiteScore
0.90
自引率
0.00%
发文量
139
期刊介绍: Leonardo was founded in 1968 in Paris by kinetic artist and astronautical pioneer Frank Malina. Malina saw the need for a journal that would serve as an international channel of communication between artists, with emphasis on the writings of artists who use science and developing technologies in their work. Today, Leonardo is the leading journal for readers interested in the application of contemporary science and technology to the arts.
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