Black Words and White Space

Tara Costello
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Abstract

This essay analyzes how Cheryl Foggo’s memoir Pourin’ Down Rain contextualizes itself in the recovery of Black space, identity, and story in Canada. An understanding of Black storytelling, founded in Joanne Braxton’s Black Women Writing Autobiography, provides insight into the ways in which Foggo’s memoir fits within a Black storytelling tradition, and how these forms work to disrupt the kind of tradition preserving the ideological space of the “White West.” An analysis of photography and oral storytelling helps explore how Foggo uses alternative narrative techniques to tell a story that challenges dominant perceptions of Blackness and what historical archiving should look like. Finally, this essay deconstructs perceptions of the Canadian West as established by the region’s pre-existing literary canon, and explores how Pourin’ Down Rain opposes these perceptions by challenging some of the common conventions in White prairie narratives.
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黑字与空白
本文分析了谢丽尔-福戈(Cheryl Foggo)的回忆录《倾盆大雨》(Pourin' Down Rain)如何在加拿大黑人空间、身份和故事的恢复过程中实现自身的语境化。从琼安-布拉克斯顿(Joanne Braxton)的《写自传的黑人妇女》(Black Women Writing Autobiography)一书中对黑人讲故事的理解,有助于深入了解福戈的回忆录是如何融入黑人讲故事的传统的,以及这些形式是如何努力打破那种维护 "西方白人 "意识形态空间的传统的。对摄影和口述故事的分析有助于探索福格戈如何使用另类叙事技巧来讲述一个故事,挑战黑人的主流观念以及历史存档应该是什么样的。最后,这篇文章解构了加拿大西部地区先前存在的文学经典对该地区的看法,并探讨了《倾盆大雨》如何通过挑战白人草原叙事中的一些常见惯例来反对这些看法。
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