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Pivot: A Journal of Interdisciplinary Studies and Thought最新文献

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"Sketch", "What it takes to keep the mind going" and "Drag(a) de mama" "素描"、"保持思想活力需要什么 "和 "拖动妈妈"
Pub Date : 2023-12-20 DOI: 10.25071/2369-7326.40368
Clara Burghelea
These poems address the manner in which white space lives in harmony with words or in the margins/ in between the lines of the poems. A good portion of meaning is found outside the written words; together with line breaks they teach the reader how to read the poems out loud and inside their minds. In these poems, white space plays several roles: it is a stylistic technique, it asks the reader to actively read the poem, and it visually creates an aesthetic. 
这些诗歌探讨了留白与文字和谐共存的方式,或诗歌行间空白处的留白。诗歌的大部分意义都在文字之外,它们与换行符一起,教会读者如何大声朗读诗歌,如何在脑海中阅读诗歌。在这些诗歌中,留白发挥了多种作用:它是一种文体技巧,要求读者积极阅读诗歌,并在视觉上创造一种美感。
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引用次数: 0
Dangerous or in Danger? 危险还是处境危险?
Pub Date : 2023-12-20 DOI: 10.25071/2369-7326.40350
Mathuri Sivanesan
Rebecca Hall’s 2021 adaptation of Nella Larsen's Passing, establishes themes of safety in a visual context,  examining the Black bodily experience in both white and Black spaces. Hall's use of greyscale lighting, diegetic & non-diegetic sounds, and, most importantly, omission, spotlights what it means to be Black in white space. In the same way Larsen’s story rejects the possibility of ever being safe as a Black person, regardless of whether one can pass as white or not, Hall's cinematic methodology reveals the character of Clare as both dangerous and yet always in danger. Controlling what the viewer is allowed to see, Hall presents a newfound method of storytelling that confronts Black violence in a manner that rejects the glorification of Black trauma, while also presenting the dangers Black persons face from merely existing in their body. 
丽贝卡-霍尔(Rebecca Hall)于 2021 年改编自内拉-拉尔森(Nella Larsen)的《逝去》(Passing),在视觉语境中确立了安全主题,审视了黑人在白人和黑人空间中的身体体验。霍尔运用灰度灯光、声音和非声音,以及最重要的省略,突出了黑人在白色空间中的意义。同样,拉尔森的故事拒绝了黑人安全的可能性,不管一个人是否可以冒充白人,霍尔的电影方法揭示了克莱尔这个角色既危险又时刻处于危险之中。霍尔通过控制观众可以看到的内容,提出了一种新发现的叙事方法,以拒绝美化黑人创伤的方式直面黑人暴力,同时也展现了黑人仅仅因为身体存在而面临的危险。
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引用次数: 0
Eyes Gone To Seed 种下种子的眼睛
Pub Date : 2023-12-20 DOI: 10.25071/2369-7326.40345
Katie Andersen
Endometriosis and adenomyosis are chronic diseases which affect 1/10 people with uteruses and are drastically understudied and underserved in the Canadian healthcare system. Through experimentation with blank space on the page, this poem explores some aspects of what it means and how it feels to live with and seek treatment for these diseases.
子宫内膜异位症和子宫腺肌症是影响 1/10 子宫患者的慢性疾病,在加拿大的医疗保健系统中,对这两种疾病的研究和治疗严重不足。这首诗通过对页面空白处的尝试,探讨了患有这些疾病并寻求治疗的一些意义和感受。
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引用次数: 0
Mapping Home 绘制首页
Pub Date : 2023-12-20 DOI: 10.25071/2369-7326.40349
Olivia Palepoi
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引用次数: 0
Submit 提交
Pub Date : 2023-12-20 DOI: 10.25071/2369-7326.40348
Doxa Zannou
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引用次数: 0
Night Vision 夜视仪
Pub Date : 2023-12-20 DOI: 10.25071/2369-7326.40347
Andrew Oram
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引用次数: 0
Headline 标题
Pub Date : 2023-12-20 DOI: 10.25071/2369-7326.40359
Sandy Feinstein
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引用次数: 0
"The Invisible Woman" and "In the Rehab Waiting Room" "隐形女 "和 "在康复中心候诊室"
Pub Date : 2023-12-20 DOI: 10.25071/2369-7326.40352
Deborah Denise Herman
I have been ruminating lately on the notion of “white space,” “writer’s block,” and selfhood following a traumatic brain injury that caused word-finding problems during the acute phase of my recovery. I have coined the term, “neuropoetics” to denote the attempt to describe in poetry and flash fiction the experience of “drawing a blank” or being silenced by a medical condition. Attached you will find three poems for your consideration: “Memory Villanelle,” “The Invisible Woman,” and “In the Rehab Waiting Room.” I was inspired by Laurie Clements Lambeth’s statement regarding the use of formal structure in her poetry about her Multiple Sclerosis, the blurring of bodily boundaries: “I needed the cage of a villanelle—so restrictive, in that very few lines can truly further the poem along, and yet so obsessive a form—to house the poem” (171). I have tried the same technique to describe the connection between memory and identity. “The Invisible Woman” takes as much from the Marvel universe as H.G. Wells; in it, I use the figure of Sue Storm and her dubious gift of being ignored as representative of the experience of an “invisible disability,” or something neurological rather than physically identifiable. Finally, “In the Rehab Waiting Room” was accidentally inspired by Elizabeth Bishop’s famous poem, as per the epigraph. It was an early attempt to capture the feeling of being a “blank slate” or having that post-traumatic “blank stare” that avoids eye contact with others
最近,我一直在思考 "留白"、"写作障碍 "和自我的概念,因为我的脑部曾受过创伤,在康复的急性期造成了找不到词的问题。我创造了 "神经诗学"(neuropoetics)这一术语,试图用诗歌和闪小说来描述 "空白 "或因疾病而沉默的经历。 随信附上三首诗,供您参考:"记忆的维拉涅尔"、"隐形的女人 "和 "在康复中心的候诊室"。劳里-克莱门茨-兰贝斯曾说过,她的诗歌中使用了形式结构来描写她的多发性硬化症,身体的界限变得模糊不清,这使我深受启发:"我需要长诗的牢笼--它限制性极强,只有极少的诗行能真正推动诗歌的发展,但又是如此令人痴迷的形式--来容纳这首诗"(171)。我曾尝试用同样的手法来描述记忆与身份之间的联系。"隐形女侠》和《H.G.威尔斯》一样,都取材于漫威宇宙;在这首诗中,我用苏-斯托姆的形象和她被忽视的可疑天赋来代表 "隐形残疾 "的经历,或者说是神经方面的经历,而不是身体上可以识别的经历。最后,"在康复中心的候诊室里 "意外地受到了伊丽莎白-毕晓普著名诗歌的启发。这是对 "白板 "或创伤后 "茫然凝视 "这种避免与他人目光接触的感觉的早期尝试。
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引用次数: 0
Magnetoreception 磁感应强度
Pub Date : 2023-12-20 DOI: 10.25071/2369-7326.40344
Nicole Dufoe
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引用次数: 0
Self-Fashioning and Ambiguities of Revolution in Austin Clarke's "Initiation" 奥斯汀-克拉克《入会仪式》中的自我塑造与革命的模糊性
Pub Date : 2023-12-20 DOI: 10.25071/2369-7326.40367
Divyansh Vyas
This is a paper on Austin Clarke’s short story from his collection of short stories titled, In This City. The story can be seen as being a part of Diaspora Studies, Immigrant Literature and Black Studies. The paper critically scrutinizes the short story based on the text and the context to argue how there was an absence of sustainable structures in the public sphere for black immigrant masculinities to sufficiently express themselves in a white heteronormative culture. Sociological ideas of Toby Miller and Erving Goffman are used to understand how black immigrant identities could only sufficiently be expressed in alternate sub-structures that remained isolated from the dominant white and heteronormative status quo. The central subject of “white space” of the issue is highly relevant to the paper’s exploration of how the systems of self-fashioning and revolution that exist in the public imagination are “incomplete” in their lack of reliability and sufficiency for black immigrants in Canada. Hence, their position in relation to aspirations of self-fashioning and revolution is one of ambiguity as the title of the paper itself states.   The paper lays bare how these ambiguities are manufactured based on the chasm that exists between the ways in which the characters want to act and the ways of self-fashioning that society approves for them. It also explores how the systems of revolution are incomplete for them as there is an absence in terms of a revolutionary process that ensures stability and self-preservation.    
本文介绍奥斯汀-克拉克的短篇小说集《在这座城市》中的一篇短篇小说。该故事可被视为散居地研究、移民文学和黑人研究的一部分。本文基于文本和背景对该短篇小说进行了批判性审视,论证了在白人异性恋文化中,黑人移民男性如何在公共领域缺乏可持续的结构来充分表达自己。托比-米勒(Toby Miller)和埃尔文-戈夫曼(Erving Goffman)的社会学思想被用来理解黑人移民身份如何只能在与白人和异性恋主流现状相隔离的另一种子结构中得到充分表达。本议题的核心主题 "白色空间 "与本文探讨存在于公众想象中的自我塑造和革命体系如何 "不完整",即对加拿大黑人移民而言缺乏可靠性和充分性高度相关。因此,与自我塑造和革命的愿望相比,他们的立场是模糊的,正如本文标题本身所指出的那样。 本文揭示了这些模糊性是如何基于人物想要的行为方式与社会认可的自我塑造方式之间存在的鸿沟而制造出来的。论文还探讨了革命制度对他们来说是如何不完整的,因为缺乏一个确保稳定和自我保护的革命过程。
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引用次数: 0
期刊
Pivot: A Journal of Interdisciplinary Studies and Thought
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