Representation of Teachers in Turkish Cinema Between 1940 and 1980

IF 0.2 0 FILM, RADIO, TELEVISION CINEJ Cinema Journal Pub Date : 2023-12-20 DOI:10.5195/cinej.2023.566
Murat Cem Acaralp, Fevzi Kasap, Mustafa Ufuk Çelik
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Abstract

The film of the destruction of the Russian monument in 1914 is not only the history of Turkish cinema, but also of a country. The aim of this study is to reveal the representation of teachers in Turkish cinema, which is one of the professions that shape a nation, in films that reflect the effects of the periods spent in all its positive and negative aspects. The reflections of the political and social changes experienced in the historical process on the cinema, the emphasis in the representation of the teacher and the quality of the added value created in the society were analyzed in comparison with the periodical conjuncture. With the purposeful sampling management, the films in which the teacher was represented from 1940 to 1980 were compared with the conditions of the period in which they were shot, and their reflections on the society and the teacher were examined.
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1940 年至 1980 年土耳其电影中的教师形象
1914 年俄罗斯纪念碑被毁的影片不仅是土耳其电影史,也是一个国家的历史。教师是塑造一个国家的职业之一,本研究旨在揭示教师在土耳其电影中的表现,这些电影反映了教师所度过的时期在所有积极和消极方面的影响。本研究将历史进程中所经历的政治和社会变革对电影的影响、对教师表现的重视程度以及为社会创造的附加值的质量进行了对比分析。通过有目的的抽样管理,将 1940 年至 1980 年期间表现教师的电影与拍摄时期的条件进行了比较,并研究了它们对社会和教师的反映。
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CINEJ Cinema Journal
CINEJ Cinema Journal FILM, RADIO, TELEVISION-
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审稿时长
12 weeks
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