Cinematic dialogue “Quo vadis, populi?”: history and destinies

Q4 Arts and Humanities Arta Pub Date : 2023-12-01 DOI:10.52603/arta.2023.32-2.14
Dumitru Olărescu
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Abstract

The ideological background, the complex of problems related to dictatorship, occupation of foreign territories, freedom, national identity, etc. addressed by director Vlad Druc in the feature films “Alternante/Alternatives (1991) and “Frontiere/Frontiers” (1992) in the dialogue “Quo vadis, populi?” (“Where are you going, people?”) will be elucidated parallel to the investigations of the ways of expression through the cinematographic language. At the basis of these films, being, for the most part, the cinematic chronicle, the director’s work on this material is of interest, which on the screen goes far beyond the informative limits, obtaining the qualities of an artisticaesthetic state, which provokes meditation and even emotions. These are the repercussions of a profoundly creative attitude on the part of the director V. Druc towards all the components of his cinematographic discourses.
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电影对话 "Quo vadis, populi?":历史与命运
弗拉德-德鲁克(Vlad Druc)导演在故事片《Alternante/Alternatives》(1991 年)和《Frontiere/Frontiers》(1992 年)中的对白 "Quo vadis, populi?"("你要去哪里,人民?")中所涉及的意识形态背景、与独裁统治、外国领土占领、自由、民族身份等相关的复杂问题,将与对电影语言表达方式的研究并行阐释。这些影片的基础是电影编年史,导演对这一素材的创作令人感兴趣,其在银幕上的表现远远超出了信息量的限制,获得了艺术审美状态的特质,引发人们的沉思甚至情感。这些都是导演 V. Druc 对其电影论述的所有组成部分所持的深刻创作态度的反响。
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来源期刊
Arta
Arta Arts and Humanities-Visual Arts and Performing Arts
自引率
0.00%
发文量
19
审稿时长
32 weeks
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