The Сonsonance of Saryan and Armenia in the Perception of Russian Poets

Larissa Pavlova, Irina Romanova
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Abstract

In the local text proper names are always marked, especially if they have a high frequency. For the Armenian text of Russian poetry, such a name, the bearer of the cultural code is the name of the outstanding Armenian artist Martiros Saryan (1880–1972). Saryan and Armenia are forever «rhymed» in the perception of others. This «consonance» is played out many times in the mass consciousness, in memories, in criticism, in poetry. Saryan is usually perceived by representatives of other nationalities as the creator of the image of Armenia –unusual, but real. At the level of a lyrical plot, there is often a motive of discovering this country for the lyrical subject or a motive of insight. Rhymes in poems serve as the keynote of this plot. The artistic potential of Saryan's surname, which turned out to be in the position of rhyme, lies in his characteristics as an artist: his expression, creative manner, colors, visual effects, ability to grueling work.
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俄罗斯诗人眼中的萨良和亚美尼亚
在当地文本中,专有名称总是会被标注出来,尤其是当这些名称出现的频率很高时。对于俄语诗歌的亚美尼亚语文本来说,这样的名字、文化代码的承载者就是亚美尼亚杰出艺术家马尔蒂罗斯-萨良(1880-1972 年)的名字。在他人的印象中,萨良和亚美尼亚永远 "押韵"。这种 "一致 "在大众意识、记忆、评论和诗歌中多次上演。萨良通常被其他民族的代表视为亚美尼亚形象的创造者--虽然不同寻常,但却真实存在。在抒情情节的层面上,往往存在着为抒情主题发现这个国家的动机或洞察动机。诗歌中的韵律是这种情节的基调。萨扬的姓氏原来处于韵的位置,其艺术潜力在于他作为艺术家的特点:他的表达、创作方式、色彩、视觉效果、艰苦工作的能力。
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