Green with Envy: Celadons, Circulation, and Emulation in the Red Sea, Persian Gulf and Indian Ocean Worlds

IF 0.2 2区 艺术学 0 ART ARS Orientalis Pub Date : 2023-12-15 DOI:10.3998/ars.4982
Denise-Marie Teece
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Abstract

Much scholarship concerning the maritime ceramic-exchange networks between China and the Red Sea, Persian Gulf, and Indian Ocean worlds has concentrated on the importation of Chinese blue-and-white porcelains and local responses to these wares. Celadon ceramics, however, were among the earliest Chinese wares to be traded—and emulated—within these exchange systems. Foregrounding examples from the collection of the Freer Gallery of Art at the Smithsonian’s National Museum of Asian Art, this article will consider textual evidence, manuscript paintings, archaeological finds, and extant objects, in order to explore the reception and emulation of Chinese celadon ceramics within these regions, with a focus on West Asia. Cutting across previously published, somewhat siloed studies, the discussion will place these celadon-exchange histories into a broader framework, tracing varying responses toward these materials in the context of transregional geographies.
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羡慕的绿色:红海、波斯湾和印度洋世界的青瓷、流通和仿制品
有关中国与红海、波斯湾和印度洋世界之间海上陶瓷交流网络的许多学术研究都集中在中国青花瓷的进口和当地对这些瓷器的反应上。然而,青花瓷是最早在这些交流体系中交易和仿效的中国瓷器之一。本文将以史密森尼国家亚洲艺术博物馆弗里尔美术馆的藏品为基础,考虑文字证据、手稿绘画、考古发现和现存物品,以西亚为重点,探讨这些地区对中国青瓷的接受和仿效。讨论将跨越以前发表的、有些孤立的研究,把这些青瓷交流史放到一个更广泛的框架中,追踪在跨区域地理背景下对这些材料的不同反应。
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来源期刊
ARS Orientalis
ARS Orientalis Multiple-
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An Artistic Nature: Kōno Michisei’s Self-Portrait (1917) Portable Faith: Toward a Non-Site-Specific History of Buddhist Art in Japan Review: Interwoven, A Digital Public Platform To Connect Artworks Across Museums Green with Envy: Celadons, Circulation, and Emulation in the Red Sea, Persian Gulf and Indian Ocean Worlds Defining Raku Ceramics: Translations, Elisions, Evolutions
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