The Innovation of Malaysia National Costume at Miss Universe: Memoir Goddess of Kumang

Gregory Kiyai, Masri Abdul Lasi, Khairun Nisa Mustaffa Halabi, Noor Hafiza Ismail
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Abstract

Miss Universe, with a history spanning over 71 years, is regarded as the most prestigious beauty pageant worldwide. It was first held in 1952 and has continued its legacy, playing a crucial role in empowering women in the changing times by Phongpaichit (1989) and Malik et al. (2023). Malaysia has participated in Miss Universe since 1964 and achieved notable success by reaching the top 15 in 1970 by Abdul Hamid et al. (2015). The main objective of this research is to incorporate the Iban folklore figure, Goddess of Kumang, into the idea of Malaysia's national costume for the Miss Universe pageant. The research follows a qualitative approach, focusing on the practice and artistic experimentation to illustrate the representation of the Kumang Goddess in the National Costume, based on Peirce's Theory of Atkin (2010). The data collection process encompasses observation, documentation, and visualization methods to elucidate each step undertaken while producing illustrations. The research outcomes yield numerous fashion illustration concepts centered around the theme of the Kumang Goddess. The significance of this research lies in its endeavor to preserve and introduce a fresh dimension to the fashion industry by incorporating folklore characters as creative inspirations in artistic work.
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马来西亚环球小姐国家服装的创新:库芒女神回忆录
拥有 71 年历史的环球小姐被誉为全球最负盛名的选美赛事。它于 1952 年首次举办,并一直传承至今,在时代变迁中为女性赋权发挥着至关重要的作用(Phongpaichit,1989 年)和 Malik 等人(2023 年)。马来西亚自 1964 年开始参加环球小姐大赛,并在 1970 年进入前 15 名,取得了显著的成功(Abdul Hamid et al.)本研究的主要目的是将伊班民间传说人物--库芒女神融入马来西亚环球小姐选美国家服装的理念中。本研究采用定性研究方法,以皮尔斯的阿特金理论(2010 年)为基础,侧重于通过实践和艺术实验来说明库芒女神在国服中的表现形式。数据收集过程包括观察、记录和可视化方法,以阐明制作插图时的每个步骤。研究成果围绕 "库曼女神 "这一主题产生了许多时装插画概念。这项研究的意义在于,通过将民间传说人物作为艺术作品的创作灵感,努力为时装业保留和引入新的维度。
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