A PERFECT INTERPRETATION OF THE KING AND THE POET ON THE MUSICAL THEATER STAGE

Ibragimova Umida Navruzovna
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Abstract

Objective: Correct interpretation of the language of the work, the speech of historical figures in the process of working on historical works in the musical theater. Methods: observation, systematic analysis, representative analysis, interview. Results: This article describes the specific principles of working on historical stage works in the musical theater. Specific aspects of stage speech and musical theater: the issues of word, voice and harmony are studied. Scientific novelty: In the musical theater, the language of the work, the methods of working on the speech of historical figures were studied. Practical significance: This article serves as a methodological source for creative pro - cesses in the theater and training future actors and directors
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在音乐剧舞台上完美演绎国王与诗人
目的:正确解读作品语言、历史人物在音乐剧历史作品创作过程中的言语。方法:观察、系统分析、代表性分析、访谈。结果:本文介绍了音乐剧历史舞台作品创作的具体原则。研究了舞台语言和音乐剧的具体方面:文字、声音与和谐问题。科学新颖性:研究了音乐剧、作品语言、历史人物语言的工作方法。实践意义:本文可作为戏剧创作过程和培训未来演员和导演的方法论资料。
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The Chinese image in Gumilev's poems COMPOSITION OF IMAGES IN THE GENRES OF "OLAN" AND "YOR-YOR" OF UZBEK WEDDING RITUAL FOLKLORE A PERFECT INTERPRETATION OF THE KING AND THE POET ON THE MUSICAL THEATER STAGE ABOUT SOME TYPOLOGICAL FEATURES OF LULLABIES GENERAL CHARACTERISTICS OF LANDSCAPE PAINTING OF UZBEKISTAN IN THE POST-WAR PERIOD (30-50-ies of the twentieth century)
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