The purpose of research: This article analyzes the use of symbols, similes, similes, exaggerations, and comic art in describing the images of the “olan” and “yor-yor” genres of Uzbek wedding ritual folklore. Research methods: All genres of wedding ceremony songs have a special spirit and, when appropriate, sad nature, cuteness, playfulness, delicate artistry, composition of unrepeatable images, gain a lot of importance in Uzbek folklore. Research results: In the process of analysis, it can be seen that all these songs contain the beliefs of our ancestors, their imaginations and beliefs, their attitude to life, and their dreams. Another important point is that these songs use philosophical observations, beautiful allusions and symbols to portray the characters of the active participants in the wedding ceremony. Practical application: It is worth noting that it is necessary to analyze and deeply understand the essence of all images and symbols reflected in folk songs, their ethnographic-phil - osophical-historical features.
{"title":"COMPOSITION OF IMAGES IN THE GENRES OF \"OLAN\" AND \"YOR-YOR\" OF UZBEK WEDDING RITUAL FOLKLORE","authors":"Guljakhan Amonovna Mardonova","doi":"10.29013/eja-23-4-3-8","DOIUrl":"https://doi.org/10.29013/eja-23-4-3-8","url":null,"abstract":"The purpose of research: This article analyzes the use of symbols, similes, similes, exaggerations, and comic art in describing the images of the “olan” and “yor-yor” genres of Uzbek wedding ritual folklore. Research methods: All genres of wedding ceremony songs have a special spirit and, when appropriate, sad nature, cuteness, playfulness, delicate artistry, composition of unrepeatable images, gain a lot of importance in Uzbek folklore. Research results: In the process of analysis, it can be seen that all these songs contain the beliefs of our ancestors, their imaginations and beliefs, their attitude to life, and their dreams. Another important point is that these songs use philosophical observations, beautiful allusions and symbols to portray the characters of the active participants in the wedding ceremony. Practical application: It is worth noting that it is necessary to analyze and deeply understand the essence of all images and symbols reflected in folk songs, their ethnographic-phil - osophical-historical features.","PeriodicalId":317481,"journal":{"name":"European Journal of Arts","volume":" 26","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-11-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139197487","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The purpose of the research: The subject of study of this work – a lullaby – is semiot-ically complicated familiar and one of the archaic genres of folk song. With the expressiveness of the text and the uniqueness of the rhythms, folk songs convey in the best possible way what what the people want and what they strive for. It is no coincidence that folk songs are called the beginning of poetry and verbus of literary creativity. Research methods: The characteristic expressive formulas of a lullaby have been studied using a historically critical method. Research results: The lullaby is one of the most nationally characteristic and complex folk songs. Here, more than in any other song, there are noticeable changes taking place within the genre, lines of gradual development, genre penetration. Practical application: Familiarization with traditional genres of folk art in the context of modern culture.
{"title":"ABOUT SOME TYPOLOGICAL FEATURES OF LULLABIES","authors":"Hasmik Harutyunyan Hayk","doi":"10.29013/eja-23-4-9-16","DOIUrl":"https://doi.org/10.29013/eja-23-4-9-16","url":null,"abstract":"The purpose of the research: The subject of study of this work – a lullaby – is semiot-ically complicated familiar and one of the archaic genres of folk song. With the expressiveness of the text and the uniqueness of the rhythms, folk songs convey in the best possible way what what the people want and what they strive for. It is no coincidence that folk songs are called the beginning of poetry and verbus of literary creativity. Research methods: The characteristic expressive formulas of a lullaby have been studied using a historically critical method. Research results: The lullaby is one of the most nationally characteristic and complex folk songs. Here, more than in any other song, there are noticeable changes taking place within the genre, lines of gradual development, genre penetration. Practical application: Familiarization with traditional genres of folk art in the context of modern culture.","PeriodicalId":317481,"journal":{"name":"European Journal of Arts","volume":"349 ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-11-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139204576","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This research article explores the representation of China, its location, culture and specific aspects in the poems of the Russian poet Nikolay Gumilev. In particular, the poet’s poem “In China” describes a dragon typical of Chinese culture
{"title":"The Chinese image in Gumilev's poems","authors":"Ruihong Zhou","doi":"10.29013/eja-23-4-30-33","DOIUrl":"https://doi.org/10.29013/eja-23-4-30-33","url":null,"abstract":"This research article explores the representation of China, its location, culture and specific aspects in the poems of the Russian poet Nikolay Gumilev. In particular, the poet’s poem “In China” describes a dragon typical of Chinese culture","PeriodicalId":317481,"journal":{"name":"European Journal of Arts","volume":" 43","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-11-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139197226","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article discusses the expositional analysis of the Tashkent History Museum. In the Tashkent Museum, special emphasis is placed on showing the Uzbek family. In the center of the porch, we can see a middle-aged Uzbek family talking around sandals and a young bride standing in front of a crib. This image is expressed through a model, and national costumes and jewelry specific to Tashkent are used to make it more natural
{"title":"EXPOSITIONAL ANALYSIS OF TASHKENT HISTORY MUSEUM","authors":"Orifjonova Gulrano R.","doi":"10.29013/eja-23-4-17-19","DOIUrl":"https://doi.org/10.29013/eja-23-4-17-19","url":null,"abstract":"This article discusses the expositional analysis of the Tashkent History Museum. In the Tashkent Museum, special emphasis is placed on showing the Uzbek family. In the center of the porch, we can see a middle-aged Uzbek family talking around sandals and a young bride standing in front of a crib. This image is expressed through a model, and national costumes and jewelry specific to Tashkent are used to make it more natural","PeriodicalId":317481,"journal":{"name":"European Journal of Arts","volume":"50 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-11-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139208657","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Purpose of the study: To explore the specifics of the development of landscape painting in Uzbekistan in the context of cultural trends in art – the 30–50 s of the twentieth century. Research methods : Systematic classification and genre approaches of modern art histo - ry, including historical analysis of the development of landscape painting in Uzbekistan in the 30–50s of the twentieth century. Results : The actualization of tasks for the formation of landscape painting in Uzbekistan, the development of plastic searches related to the trends and cultural heritage of Russian and world art, formed a new typology of images of nature, interpreted in various trends, which was necessary to improve creative research on the further development of the fine arts of Uzbeki - stan in in general. Scientific novelty: The artistic process, which determined the general state, achievements and development of the fine arts of Uzbekistan, was based on the relationship and dynamics of such components as: a certain stylistic community, determined by the state of national culture, a set of unique traditions, as well as relations with the so-called modern style, established in the fine arts of Uzbekistan from the second half of the twentieth century; the combination of these factors contributed to the promotion of the landscape genre in art as one of the main ones that reflected the concept of modern culture.
{"title":"GENERAL CHARACTERISTICS OF LANDSCAPE PAINTING OF UZBEKISTAN IN THE POST-WAR PERIOD (30-50-ies of the twentieth century)","authors":"Туланова Дилноза Журахановна","doi":"10.29013/eja-23-4-24-29","DOIUrl":"https://doi.org/10.29013/eja-23-4-24-29","url":null,"abstract":"Purpose of the study: To explore the specifics of the development of landscape painting in Uzbekistan in the context of cultural trends in art – the 30–50 s of the twentieth century. Research methods : Systematic classification and genre approaches of modern art histo - ry, including historical analysis of the development of landscape painting in Uzbekistan in the 30–50s of the twentieth century. Results : The actualization of tasks for the formation of landscape painting in Uzbekistan, the development of plastic searches related to the trends and cultural heritage of Russian and world art, formed a new typology of images of nature, interpreted in various trends, which was necessary to improve creative research on the further development of the fine arts of Uzbeki - stan in in general. Scientific novelty: The artistic process, which determined the general state, achievements and development of the fine arts of Uzbekistan, was based on the relationship and dynamics of such components as: a certain stylistic community, determined by the state of national culture, a set of unique traditions, as well as relations with the so-called modern style, established in the fine arts of Uzbekistan from the second half of the twentieth century; the combination of these factors contributed to the promotion of the landscape genre in art as one of the main ones that reflected the concept of modern culture.","PeriodicalId":317481,"journal":{"name":"European Journal of Arts","volume":"70 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-11-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139207391","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Objective: Correct interpretation of the language of the work, the speech of historical figures in the process of working on historical works in the musical theater. Methods: observation, systematic analysis, representative analysis, interview. Results: This article describes the specific principles of working on historical stage works in the musical theater. Specific aspects of stage speech and musical theater: the issues of word, voice and harmony are studied. Scientific novelty: In the musical theater, the language of the work, the methods of working on the speech of historical figures were studied. Practical significance: This article serves as a methodological source for creative pro - cesses in the theater and training future actors and directors
{"title":"A PERFECT INTERPRETATION OF THE KING AND THE POET ON THE MUSICAL THEATER STAGE","authors":"Ibragimova Umida Navruzovna","doi":"10.29013/eja-23-4-20-23","DOIUrl":"https://doi.org/10.29013/eja-23-4-20-23","url":null,"abstract":"Objective: Correct interpretation of the language of the work, the speech of historical figures in the process of working on historical works in the musical theater. Methods: observation, systematic analysis, representative analysis, interview. Results: This article describes the specific principles of working on historical stage works in the musical theater. Specific aspects of stage speech and musical theater: the issues of word, voice and harmony are studied. Scientific novelty: In the musical theater, the language of the work, the methods of working on the speech of historical figures were studied. Practical significance: This article serves as a methodological source for creative pro - cesses in the theater and training future actors and directors","PeriodicalId":317481,"journal":{"name":"European Journal of Arts","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-11-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139199476","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"THE LEGEND OF TRISTAN AND ISOLDE: FROM THE MYTHOLOGY OF OPERA GENRE TO THE PHILOSOPHY OF POP CULTURE","authors":"D. S. Kozyk","doi":"10.29013/EJA-21-1-67-70","DOIUrl":"https://doi.org/10.29013/EJA-21-1-67-70","url":null,"abstract":"","PeriodicalId":317481,"journal":{"name":"European Journal of Arts","volume":"232 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-04-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114673113","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"SCIENTIFIC PARADIGM AS A CATEGORY OF MUSICOLOGY","authors":"Y. Kapliyenko-Iliuk","doi":"10.29013/EJA-21-1-52-55","DOIUrl":"https://doi.org/10.29013/EJA-21-1-52-55","url":null,"abstract":"","PeriodicalId":317481,"journal":{"name":"European Journal of Arts","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-04-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129643924","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-04-07DOI: 10.29013/EJA-21-1-164-168
O. Gosteva
{"title":"HERMENEUTICS IN UNDERSTANDING OF THE DEFINITION OF “CULTURAL SPACE OF UKRAINE”","authors":"O. Gosteva","doi":"10.29013/EJA-21-1-164-168","DOIUrl":"https://doi.org/10.29013/EJA-21-1-164-168","url":null,"abstract":"","PeriodicalId":317481,"journal":{"name":"European Journal of Arts","volume":"9 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-04-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114744268","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"“LULLABIES OF SUFFERING” BY J. BRAMS OP. 117","authors":"D. Lu","doi":"10.29013/EJA-21-1-91-95","DOIUrl":"https://doi.org/10.29013/EJA-21-1-91-95","url":null,"abstract":"","PeriodicalId":317481,"journal":{"name":"European Journal of Arts","volume":"14 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-04-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127741799","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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