A Study of the Diversification of Materials of Korean New Operas: Focusing on selected works by the Creative Factory of Performing Arts

Chang-min Park
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Abstract

Starting in 1950, Korean Opera, which has a history of 73 years to date in 2023, served as an motive to pave the way for the creation of Korean opera through the “MOM Creation Contest” organized by Korea National Opera in 2009. Since then, it has been changed to the Creative Factory of Performing Arts organized by the Arts Council Korea since 2014, and new operas have been discovered every year through continuous support until 2023, and 17 new operas have been finally selected. This study examined the diversified aspects of material utilization for new operas discovered through the Creative Factory of Performing Arts, focusing on the material of the libretto, which is the first work and basic element of the creation of an opera. In order to study the material diversification of new opera selected through the Creative Factory of Performing Arts, six classification criteria were set, each of which is a genre, method of libretto, original foundation, the spatial background of work, the temporal background of work, and basic material. In addition, in order to help understand, this study also examined aspects of the diversification of materials of new operas in overseas opera theaters such as the United States, Germany, the United Kingdom, Austria, Italy, and France. As a part of the development of cultural contents, I hope that this study will help understand the trend of diversification through the recently discovered Korean new operas, help revitalize creation, and further promote convergent development in all fields of performing arts.
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韩国新歌剧素材多样化研究:以 "表演艺术创作工厂 "的部分作品为重点
从1950年开始,到2023年已有73年历史的韩国歌剧院,通过2009年韩国国立歌剧院举办的 "MOM创作大赛",为韩国歌剧的创作铺平了道路。此后,自 2014 年起改为韩国艺术委员会主办的 "表演艺术创意工厂",并通过持续支持每年发掘新歌剧,直至 2023 年,最终评选出 17 部新歌剧。本研究考察了通过 "表演艺术创意工厂 "发掘的新歌剧在素材利用方面的多样性,重点是作为歌剧创作的第一部作品和基本要素的剧本素材。 为了研究通过 "表演艺术创意工厂 "选取的新歌剧的素材多样化情况,设定了六个分类标准,分别是体裁、剧本方法、原创基础、作品的空间背景、作品的时间背景和基本素材。此外,为了帮助理解,本研究还考察了美国、德国、英国、奥地利、意大利和法国等海外歌剧院新歌剧素材多样化的各个方面。 作为文化内容发展的一部分,笔者希望本研究能够通过最近发现的韩国新歌剧,帮助了解多样化的趋势,有助于振兴创作,并进一步促进表演艺术各领域的融合发展。
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