{"title":"A Study on the Q Methodology on the Factors of Korean Viewers’ Preference for Watching Chinese Drama: Focusing on Costume Drama","authors":"Hou Jue y, Jeongmin Ko","doi":"10.32611/jgcc.2023.11.57.267","DOIUrl":null,"url":null,"abstract":"With the continued development of the media, the spread of multicultural dramas has become a common concern of the drama industry, and the export of dramas has become an important way to improve the culture of countries around the world. Currently, Chinese costume drama is actively consumed through OTT platforms, such as remakes in Korea. In order to maintain this desire of Korean viewers, the subjective viewing preference factors of Korean viewers were analyzed using the Q methodology and based on this, implications for the entry of Chinese costume drama into Korea were presented. As a result of the study, it was confirmed that the factors that Korean viewers prefer to watch Chinese costume dramas were divided into types that prefer traditional historical dramas and types that prefer fusion historical dramas. Cultural curiosity is the preferred factor in the pursuit of traditional culture that likes traditional historical dramas based on cultural similarities. Based on cultural similarities, fusion historical dramas can be divided into visual effect-seeking types that prefer colorful production environments and fandom-seeking types that prefer to like actors, and content excellence is the preferred factor. It can be seen that this is an individual's subjective taste in which various factors of preference for Chinese costume drama appear depending on the viewing tendency. This study is meaningful in presenting the factors of Korean viewers' preference for viewing differently depending on the preference for viewing traditional historical dramas and fusion historical dramas in the production environment of Chinese costume drama.","PeriodicalId":161830,"journal":{"name":"Academic Association of Global Cultural Contents","volume":" 24","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2023-11-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Academic Association of Global Cultural Contents","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.32611/jgcc.2023.11.57.267","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
With the continued development of the media, the spread of multicultural dramas has become a common concern of the drama industry, and the export of dramas has become an important way to improve the culture of countries around the world. Currently, Chinese costume drama is actively consumed through OTT platforms, such as remakes in Korea. In order to maintain this desire of Korean viewers, the subjective viewing preference factors of Korean viewers were analyzed using the Q methodology and based on this, implications for the entry of Chinese costume drama into Korea were presented. As a result of the study, it was confirmed that the factors that Korean viewers prefer to watch Chinese costume dramas were divided into types that prefer traditional historical dramas and types that prefer fusion historical dramas. Cultural curiosity is the preferred factor in the pursuit of traditional culture that likes traditional historical dramas based on cultural similarities. Based on cultural similarities, fusion historical dramas can be divided into visual effect-seeking types that prefer colorful production environments and fandom-seeking types that prefer to like actors, and content excellence is the preferred factor. It can be seen that this is an individual's subjective taste in which various factors of preference for Chinese costume drama appear depending on the viewing tendency. This study is meaningful in presenting the factors of Korean viewers' preference for viewing differently depending on the preference for viewing traditional historical dramas and fusion historical dramas in the production environment of Chinese costume drama.
随着媒体的不断发展,多元文化剧的传播已成为电视剧行业共同关注的问题,而电视剧的输出也成为提升世界各国文化的重要途径。目前,中国古装剧通过韩国翻拍等 OTT 平台消费活跃。为了维护韩国观众的这一愿望,本研究采用Q法对韩国观众的主观收视偏好因素进行了分析,并在此基础上提出了中国古装剧进入韩国的启示。 研究结果证实,韩国观众观看中国古装剧的偏好因素分为偏好传统历史剧的类型和偏好融合历史剧的类型。基于文化相似性,文化好奇心是追求传统文化的观众喜欢传统历史剧的首选因素。基于文化相似性,融合型历史剧又可分为喜欢丰富多彩的制作环境的视觉效果追求型和喜欢演员的粉丝追求型,内容优秀是首选因素。可见,这是一种个人的主观趣味,在这种主观趣味中,根据观看倾向的不同,出现了对中国古装剧的各种偏好因素。 在中国古装剧的制作环境中,韩国观众根据对传统历史剧和融合历史剧的观看偏好,呈现出不同的观看偏好因素,本研究的意义在于此。