The Hegemony of Social, Cultural, and Discourse Power Indonesian Language Literary Criticism Course Materials

Muhammad Amien Denis, Siti Gomo Attas, Miftahulkhairah Anwar
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Abstract

One class dominates or is supported across numerous social aspects in hegemony. This study used critical discourse analysis to analyze data. This research aimed to analyze social hegemony in Indonesian literary criticism course materials. Thus, this study formulated problems as follows. (1) Social hegemony in Indonesian literary criticism course materials. (2) Persuasive cultural hegemony in Indonesian literary criticism course materials (3) Power hegemony in Indonesian literary criticism textbooks. In Indonesian literary criticism course materials, discursive practices, social identity, and social interaction are dialectical. Literary discourse is examined from three angles: the text, discourse practices, and the socio-cultural setting. Literary discourse as a manifestation of social interaction, its ability to regulate or manipulate behavior and material existence, and its role in establishing and maintaining power, status, and social roles are examined in the context of social hegemony. Critical examination of literary discourse in Indonesian literary criticism course materials is possible by considering cultural hegemony. According to the first assumption, symbols create meaning. b) Indonesian literary criticism textbooks link knowledge to values. Indonesian literary criticism course materials include cultural discourse from several fields. The hegemony of power is examined in Indonesian literary criticism course materials. a) Authority affects daily life. Power is coercive. Indonesian literary criticism course materials allow readers to criticize and disrupt social, cultural, and authority systems through literary discourse.
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社会、文化和话语权力的霸权 印度尼西亚语文学批评课程材料
在霸权中,一个阶级在众多社会方面占据主导地位或得到支持。本研究采用批判性话语分析来分析数据。本研究旨在分析印尼文学批评课程教材中的社会霸权。因此,本研究提出了以下问题。(1) 印度尼西亚文学批评课程教材中的社会霸权。(2) 印尼文学批评教材中的说服性文化霸权 (3) 印尼文学批评教材中的权力霸权。在印尼文学批评教材中,话语实践、社会认同和社会互动是辩证统一的。文学话语从文本、话语实践和社会文化环境三个角度进行考察。文学话语作为社会互动的一种表现形式,其调节或操纵行为和物质存在的能力,以及其在建立和维护权力、地位和社会角色方面的作用,都将在社会霸权的背景下得到研究。通过考虑文化霸权,可以对印尼文学批评课程教材中的文学话语进行批判性研究。b) 印尼文学批评教材将知识与价值观联系起来。印尼文学批评课程教材包括多个领域的文化话语。a) 权力影响日常生活。权力具有强制性。印尼文学批评教材允许读者通过文学话语批评和破坏社会、文化和权力体系。
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