Encapsulating creative collaborations: A case study in the design of cement tiles

Vinicius Mizobuti, Gabriela Lamanna Soares, Antonio Carlos Laraia Figueira de Mello, Diogo Matsui, Thais de Matos Ilkiw
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Abstract

Advances in computer-aided architectural design led to an increased interest in the field for cross-disciplinary creative collaborations. However, this process rarely accounts for the agents outside of the discipline’s intellectual framework, such as craftsmen, failing to include existing production capabilities in the digital transformation of the industry. To tackle this issue, we investigate an approach that implements encapsulated instruments as enablers of creative collaborations between computational designers and craftsmen. We evaluate this approach by designing three cement tile models, a traditional handmade construction element used in Brazil. The results demonstrate that encapsulated instruments expand the craft’s design space through creative decisions operated by the craftsman, and interviews with the tile makers elaborate on their perceived change in creative agency, identifying limitations when disrupting social roles and hierarchical relationships in craftsmanship. Results also raise opportunities for expanding this approach at other scales and systems, helping to democratize and distribute design knowledge.
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封装创意合作:水泥砖设计案例研究
计算机辅助建筑设计的进步使该领域对跨学科创造性合作的兴趣与日俱增。然而,这一过程很少考虑到学科知识框架之外的代理人,如工匠,未能将现有的生产能力纳入行业的数字化转型中。为了解决这个问题,我们研究了一种方法,将封装工具作为计算设计师和手工艺者之间创造性合作的推动力。我们通过设计三种水泥瓦模型来评估这种方法,水泥瓦是巴西使用的一种传统手工建筑元素。结果表明,封装工具通过由工匠操作的创造性决策扩展了工艺的设计空间,对瓦片制作者的访谈详细阐述了他们对创造性代理变化的感知,并指出了在破坏工艺中的社会角色和等级关系时的局限性。研究结果还为在其他规模和系统中推广这种方法提供了机会,有助于设计知识的民主化和传播。
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CiteScore
3.20
自引率
17.60%
发文量
44
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