Analyses of the brown stain on the Parthenon Centaur head in Denmark

IF 2.6 1区 艺术学 Q2 CHEMISTRY, ANALYTICAL Heritage Science Pub Date : 2024-01-16 DOI:10.1186/s40494-023-01126-9
Kaare Lund Rasmussen, Bodil Bundgaard Rasmussen, Thomas Delbey, Ilaria Bonaduce, Frank Kjeldsen, Vladimir Gorshkov
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Abstract

In 1688 two sculptural fragments, a head of bearded man and a head of an unbearded youth, arrived in Copenhagen, sent from Athens as a gift to King Christian 5. They were placed in the Royal Kunstkammer, their provenance given as the Temple of Artemis in Ephesos, one of the Seven Wonders of the World. Almost a hundred and fifty years later, in the early 1820’s they were noticed and studied by two scholars independently visiting the Kunstkammer. However, both concluded that the two heads belonged to one of the metopes decorating the south side of the Parthenon temple on the Acropolis in Athens, showing fighting between Greeks and the mythical Centaurs, part man and part horse. In the 1830’s another sculptural fragment, a horse’s hoof, obtained through the German archaeologist and state antiquary of Greece, Ludwig Ross, reached Copenhagen. It was forwarded by the Danish consul to Athens, C.T. Falbe, as a gift to King Christian 8. The inventory reads: ‘… was found on the Acropolis near the Parthenon temple and is supposed to belong to one the Centaurs on the metopes.’ The present paper focuses solely on the head of the Centaur.

A brown stain was noticed on the Parthenon marbles as early as 1830 by the British Museum and has ever since eluded a deeper understanding of its genesis despite many investigations and attempts of analyses. A quite similar brown stain can be observed on the Centaur’s head in Copenhagen as well.

The present study reports analyses by LA-ICP-MS, SEM–EDX, µXRD, GC–MS, and LC–MS-MS, as well as optical microscopy of five small samples sequestered in 1999 from the Centaur head curated by the National Museum of Denmark. Our analyses show that the brown stain consists of two consecutively added surficial layers of the calcium oxalate minerals whewellite and weddellite. Despite a thorough search using proteomics, we have found no viable organic precursor material for the oxalates. Our results do not solve the mystery of the formation of the brown stain, but they do further qualify the structure and characterization of the brown stain.

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对丹麦帕台农神庙半人马头像上棕色污点的分析
1688 年,两块雕塑碎片--一个大胡子男人的头像和一个无须青年的头像--从雅典运抵哥本哈根,作为献给国王克里斯蒂安五世的礼物。它们被放置在皇家艺术品收藏馆,出处是世界七大奇迹之一的以弗所阿耳忒弥斯神庙。将近一百五十年后的 19 世纪 20 年代初,两位学者在参观皇家艺术博物馆时注意到并研究了这两个头像。然而,两位学者的结论都是,这两个头像属于雅典卫城帕台农神庙南侧装饰的元首之一,表现的是希腊人与神话中的半人马(半人半马)之间的战斗。19 世纪 30 年代,通过德国考古学家兼希腊国家古董商路德维希-罗斯(Ludwig Ross)获得的另一个雕塑碎片--马蹄,到达了哥本哈根。丹麦驻雅典领事 C.T. Falbe 将其作为礼物转送给国王克里斯蒂安八世:'......是在雅典卫城帕台农神庙附近发现的,据推测属于元神上的半人马之一。大英博物馆早在 1830 年就注意到帕台农神庙大理石上有一块棕色污点,尽管进行了多次调查和尝试分析,但一直未能深入了解其成因。本研究报告采用 LA-ICP-MS、SEM-EDX、µXRD、GC-MS 和 LC-MS-MS 以及光学显微镜对 1999 年从丹麦国家博物馆收藏的半人马头像上采集的五个小样本进行了分析。我们的分析表明,棕色污点由连续添加的两层草酸钙矿物麦饭石和楔形石组成。尽管我们利用蛋白质组学进行了深入研究,但仍未找到草酸盐的有机前体物质。我们的研究结果并没有解开褐斑形成之谜,但却进一步确定了褐斑的结构和特征。
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来源期刊
Heritage Science
Heritage Science Arts and Humanities-Conservation
CiteScore
4.00
自引率
20.00%
发文量
183
审稿时长
19 weeks
期刊介绍: Heritage Science is an open access journal publishing original peer-reviewed research covering: Understanding of the manufacturing processes, provenances, and environmental contexts of material types, objects, and buildings, of cultural significance including their historical significance. Understanding and prediction of physico-chemical and biological degradation processes of cultural artefacts, including climate change, and predictive heritage studies. Development and application of analytical and imaging methods or equipments for non-invasive, non-destructive or portable analysis of artwork and objects of cultural significance to identify component materials, degradation products and deterioration markers. Development and application of invasive and destructive methods for understanding the provenance of objects of cultural significance. Development and critical assessment of treatment materials and methods for artwork and objects of cultural significance. Development and application of statistical methods and algorithms for data analysis to further understanding of culturally significant objects. Publication of reference and corpus datasets as supplementary information to the statistical and analytical studies above. Description of novel technologies that can assist in the understanding of cultural heritage.
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