{"title":"Unseen Sound: One Step into the Blind Future| (Academic Access Version)","authors":"Andy Slater, Elizabeth McLain","doi":"10.1162/leon_a_02498","DOIUrl":null,"url":null,"abstract":"Elizabeth McLain interviews CripTech incubator artist Andy Slater about Unseen Sound (2023), his work for E.A.A.T.: Experiments in Art, Access and Technology. Slater discusses accessibility as artistic practice, the exclusion of blind folks from augmented and extended reality, and experimental art’s capacity for fostering access intimacy. While developing Unseen Sound, Slater experienced failures in access and technology. Hyperactive listening—the key to Slater’s creative practice— enabled him to pivot and continue the fight for accessible extended reality (XR) technology. In the process, he makes the case for a brilliant blind future by making noise in public spaces and leaning into the weirdness.","PeriodicalId":46524,"journal":{"name":"LEONARDO","volume":"96 1","pages":""},"PeriodicalIF":0.4000,"publicationDate":"2024-01-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"LEONARDO","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1162/leon_a_02498","RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
引用次数: 0
Abstract
Elizabeth McLain interviews CripTech incubator artist Andy Slater about Unseen Sound (2023), his work for E.A.A.T.: Experiments in Art, Access and Technology. Slater discusses accessibility as artistic practice, the exclusion of blind folks from augmented and extended reality, and experimental art’s capacity for fostering access intimacy. While developing Unseen Sound, Slater experienced failures in access and technology. Hyperactive listening—the key to Slater’s creative practice— enabled him to pivot and continue the fight for accessible extended reality (XR) technology. In the process, he makes the case for a brilliant blind future by making noise in public spaces and leaning into the weirdness.
期刊介绍:
Leonardo was founded in 1968 in Paris by kinetic artist and astronautical pioneer Frank Malina. Malina saw the need for a journal that would serve as an international channel of communication between artists, with emphasis on the writings of artists who use science and developing technologies in their work. Today, Leonardo is the leading journal for readers interested in the application of contemporary science and technology to the arts.