'All this in their ignorance they called civilisation': Analysing the Relationship between Nationalism and the Display of Roman Archaeology in Britain's National Museums

Q2 Arts and Humanities Internet Archaeology Pub Date : 2024-03-01 DOI:10.11141/ia.67.9
William Givens
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Abstract

This article evaluates how nationalist narratives affect the display of Roman artefacts in national museums. The unique nature of national museums as 'cultural constitutions' and arbiters of the 'Authorised Heritage Discourse' is discussed. This article builds upon previous work by demonstrating how nationalist influence affects the display of Roman artefacts, specifically through the use of two case studies: the British Museum in London and the National Museum of Scotland in Edinburgh. Museum displays are assessed for indications of nationalist influence through consideration of the use of space and collection composition as well as textual analysis of gallery signage and artefact descriptions. The two museums' divergent approaches to national narrative are then compared.
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这一切在他们的无知中被称为文明":分析民族主义与英国国家博物馆展示罗马考古学之间的关系
本文评估了民族主义叙事如何影响国家博物馆对罗马文物的展示。文章讨论了国家博物馆作为 "文化机构 "和 "授权遗产话语 "仲裁者的独特性质。本文在前人研究的基础上,通过伦敦大英博物馆和爱丁堡苏格兰国家博物馆这两个案例研究,展示了民族主义的影响如何影响罗马文物的展示。通过对空间利用和藏品构成的考量,以及对展厅标牌和文物描述的文字分析,对博物馆的展示进行评估,以发现民族主义影响的迹象。然后对两家博物馆在民族叙事方面的不同做法进行比较。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Internet Archaeology
Internet Archaeology Arts and Humanities-Archeology (arts and humanities)
CiteScore
1.10
自引率
0.00%
发文量
9
审稿时长
16 weeks
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