Picture of the Human in Psychoanalysis

Anup Dhar
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Abstract

If Freud engendered the Copernican turn in the Cartesian picture of the person, Lacan offered the Keplerian turn. The paper works through the works of Freud-Lacan and Deleuze/Guattari to arrive at three meanings of the unconscious: (i) repressive, (ii) non-repressive and (iii) productive of surplus. It displaces the Cartesian ›I think, therefore I am‹ with the ›It thinks‹ – i.e. the unconscious thinks; therefore ›I think, where I am not‹ and ›I am, where I think not.‹ It shows how the person in psychoanalysis moves from self-reflection to self-transformation, i.e. from a close look at the ›mirror of being‹ to a ›canvas of a new becoming‹; where the mirror becomes a canvas for redrawing the ›graph of affect‹ and rewriting the palaeolithic script on the person’s Mystic Writing Pad. Building on insights gleaned from a medieval spiritual ›cultivation of self‹: Sahajiya, the paper sees psychoanalysis as also a larger praxis of living-loving, and not a mere means to medicalized individual cure.
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精神分析中的 "人 "的形象
如果说弗洛伊德为笛卡尔式的人的图景带来了哥白尼式的转向,那么拉康则提供了开普勒式的转向。本文通过研究弗洛伊德-拉康和德勒兹/瓜塔里的作品,得出了无意识的三种含义:(i) 压抑,(ii) 非压抑,(iii) 生产剩余。它用 "它思考"--即无意识思考--取代了笛卡尔式的 "我思故我在";因此,"我思,在我不在的地方 "和 "我在,在我不思的地方"。它展示了精神分析中的人如何从自我反思走向自我转变,即从仔细观察 "存在的镜子 "到 "新的成为的画布";镜子成为重新绘制 "情感图 "的画布,并在人的神秘写字板上重写旧石器时代的脚本。本文以从中世纪精神 "自我修炼 "中获得的启示为基础:本文认为精神分析也是一种更广泛的 "生活-爱 "实践,而不仅仅是医疗化的个人治疗手段。
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