SHAKESPEARE BEING GLOCAL: A COMPARATIVE STUDY OF SHAKESPEARE’S ‘HAMLET’ AS BHARDWAJ’S ‘HAIDER’

Mustabshira Siddiqui
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Abstract

The present article compares and contrasts Shakespeare's Hamlet with the 2014 film Haider, directed by Vishal Bhardwaj, which sheds light on the unseen aspects of the 1989 insurgency in Jammu and Kashmir. The movie not only focuses on Jammu and Kashmir but also presents an ingenious point of view that connects us with the real drawbacks of human society. Hamlet is not only about revenge; it is about the theme of the disappearance of King Hamlet, where Prince Hamlet is pretending to be insane to trap his uncle. It is also about the corruption that prevailed in Denmark and the sufferings that the women had to go through. The plot of Denmark is replaced in Haider by the plot of the Kashmir conflict in 1995 and enforced civil disappearances. The characters are given new shades according to contemporary Kashmir.
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莎士比亚是地方性的:莎士比亚《哈姆雷特》与巴德瓦伊《海德》的比较研究
本文将莎士比亚的《哈姆雷特》与 2014 年由 Vishal Bhardwaj 执导的电影《海德尔》进行对比,后者揭示了 1989 年查谟和克什米尔叛乱中不为人知的一面。电影不仅聚焦查谟和克什米尔,还以巧妙的视角将我们与人类社会的现实弊端联系在一起。哈姆雷特》不仅讲述了复仇的故事,还讲述了哈姆雷特国王失踪后,哈姆雷特王子装疯卖傻诱捕叔叔的故事。哈姆雷特》还讲述了丹麦普遍存在的腐败现象和妇女所遭受的苦难。在《海德尔》中,丹麦的情节被 1995 年克什米尔冲突和强迫公民失踪的情节所取代。剧中人物被赋予了当代克什米尔的新色彩。
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