The semiotic phenomenology of inverse alteroception

Q1 Arts and Humanities Cognitive Semiotics Pub Date : 2024-05-20 DOI:10.1515/cogsem-2024-2010
Jamin Pelkey
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Abstract

Alteroception is the virtual experience of another person’s bodily movement centered in the perspective of the other person. In face-to-face interactions, human beings tend to assume a special mode of alteroception by mutually but tacitly recognizing that ‘your right is on my left and your left is on my right’. Researchers of neonatal cognition and early childhood development describe this mode of alteroception as “reverse” or “inverted”. Inverse alteroception goes beyond mirror-image mimesis to chiastic (crisscrossing) mimesis in acts of intersubjective sense-making; but the cognitive and cultural affordances of this inverse reciprocal ability are largely untreated in the literature. I argue that this unique aspect of human phenomenology deserves closer attention since it enables a broader palette of diagrammatic contrasts that extend far beyond face-to-face interaction. In this paper, I apply insights from Peircean and Greimasian semiotics to argue that salient features of the human lifeworld originate from imaginative mappings of inverse alteroception onto other domains. From diagrams of gesture space and contemporary visual design to the structures of the Proscenium stage, from historic heraldry to Aristotle’s logical square of oppositions and beyond, many visual/spatial designs and their reciprocal interaction with human experience are linked to this ability – an ability that owes its origins, in turn, to the evolution of upright posture.
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逆反心理的符号现象学
他觉(alteroception)是以他人的视角为中心,对他人身体运动的虚拟体验。在面对面的互动中,人类往往会采取一种特殊的逆向感知模式,即相互默认 "你的右边在我的左边,你的左边在我的右边"。新生儿认知和儿童早期发展研究人员将这种改变知觉模式称为 "反向 "或 "倒置"。逆向反向感知超越了镜像拟态,而是在主体间感知行为中的纵横交错拟态;但这种逆向互惠能力在认知和文化方面的优势在文献中大多未得到论述。我认为,人类现象学的这一独特方面值得我们更密切地关注,因为它使图示对比的范围更广,远远超出了面对面的互动。在本文中,我运用皮尔斯符号学(Peircean semiotics)和格雷马斯符号学(Greimasian semiotics)的见解,论证了人类生活世界的显著特征源自于将反向感知映射到其他领域的想象力。从手势空间图和当代视觉设计到大舞台的结构,从历史上的纹章到亚里士多德的对立逻辑方阵等等,许多视觉/空间设计及其与人类经验的相互影响都与这种能力有关,而这种能力的起源又与直立姿势的进化有关。
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来源期刊
Cognitive Semiotics
Cognitive Semiotics Arts and Humanities-Language and Linguistics
CiteScore
2.30
自引率
0.00%
发文量
14
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