Art, pictoriality and semiotics – a reflection on Göran Sonesson’s contribution to art theory

Q1 Arts and Humanities Cognitive Semiotics Pub Date : 2024-06-03 DOI:10.1515/cogsem-2024-2006
Gunnar Sandin
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Abstract

This reflection on Göran Sonesson’s writings and theoretical engagement in art is also a survey of a set of semiotic concepts related to this area. As a semiotician Sonesson wrote about varying sub-genres like fine art, photography, film and architecture. The reflection is also a personal recollection – as a colleague, friend and participant in the Lund circle of semiotics – of ideas and discussions highlighting the relation between semiotics, art theory and artistic practice. This reflection captures a couple of notions of importance in Sonesson’s contributions to semiotic theory relating to pictoriality, art and culture, such as “secondary iconicity”, “projected Ego, Alter and Alius”, “sedimentation of impressions”, “picture subject and picture object”, etc. The reflection ends in stating the importance of the specifically Lifeworld-based semiotic contribution by Sonesson to art theory, a contribution perhaps yet to be fully appreciated, and how this contribution also corresponds with how practicing artists reach out to, but also goes beyond, the art world itself.
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艺术、图像性和符号学--对戈兰-索内松对艺术理论贡献的思考
对戈兰-索内松(Göran Sonesson)的著作和艺术理论的思考,也是对与该领域相关的一系列符号学概念的考察。作为一名符号学家,索内松的著作涉及美术、摄影、电影和建筑等不同的子类型。作为伦德符号学圈子的同事、朋友和参与者,本反思也是对突出符号学、艺术理论和艺术实践之间关系的观点和讨论的个人回忆。本思考捕捉了索内松对符号学理论中与图像性、艺术和文化有关的几个重要概念,如 "次级图标性"、"投射的自我、Alter 和 Alius"、"印象的沉淀"、"图像主体和图像客体 "等。反思的最后指出了索内松对艺术理论做出的以生活世界为基础的具体符号学贡献的重要性,这一贡献或许尚未得到充分认识,以及这一贡献如何与实践艺术家如何接触艺术世界本身以及如何超越艺术世界本身相一致。
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来源期刊
Cognitive Semiotics
Cognitive Semiotics Arts and Humanities-Language and Linguistics
CiteScore
2.30
自引率
0.00%
发文量
14
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