Women's Identity Construction and Identity from the Perspective of Gender Theory: Examination of Gender Discourse based on the Film Barbie

Shuhua Zheng
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Abstract

The Barbie film directed by Greta Govig became a new milestone in feminist cinema when it set a box office record in 2023. The film not only presents the portrayal of women in a patriarchal society, but also critiques gender stereotypes with humour, triggering a global feminist discussion. This paper focuses on the construction of women's identity and the representation of women's identity in the film Barbie from the perspective of gender theory and in four parts. The first part is the introductory section, mainly covering the research background and significance of this paper; The second part explores the female identity construction of Barbie from the aspects of appearance and social image; The third part explores the female identity of Barbie from the perspectives of male and female; The fourth part mainly combines and summarizes the previous content, and at the same time, combines social scholars' and film critics' interpretations of the film to deepen readers' understanding of the modern portrayal of women on screen.
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性别理论视角下的女性身份建构与认同:基于电影《芭比娃娃》的性别话语研究
由葛丽泰-高维格执导的电影《芭比娃娃》在 2023 年创下票房纪录,成为女权主义电影的新里程碑。影片不仅展现了父权社会中的女性形象,还以幽默的方式批判了性别刻板印象,引发了全球女权主义讨论。本文主要从性别理论的视角,分四个部分探讨电影《芭比娃娃》中女性身份的建构和女性身份的表现。第一部分是引言部分,主要阐述了本文的研究背景和意义;第二部分从外貌和社会形象两个方面探讨了《芭比娃娃》的女性身份建构;第三部分从男性和女性的角度探讨了《芭比娃娃》的女性身份;第四部分主要是对前面内容的梳理和总结,同时结合社会学者和影评人对影片的解读,加深读者对银幕上现代女性形象的理解。
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