{"title":"Castle & Crook: Necroliberalism and Cartographies of Abandonment in Maquilapolis (City of Factories) and Señorita Extraviada (Missing Young Woman)","authors":"Edward Avila","doi":"10.1215/02705346-11024044","DOIUrl":null,"url":null,"abstract":"\n “Castle & Crook” argues that the documentary films Maquilapolis (City of Factories) (dir. Vicky Funari, Sergio De La Torre, Mexico/US, 2006) and Señorita Extraviada (Missing Young Woman) (dir. Lourdes Portillo, Mexico/US, 2001) offer critical insights into the necropolitical dimensions of neoliberal modernization along the US-Mexico border during the post-NAFTA era through the turn of the millennium. Both films represent the intersection of neoliberalism and necropolitics, particularly in terms of the spatial aspects or modalities of necropower that inhere in neoliberal development. Moreover, I refer to this complex and violent assemblage of neoliberalism and necropolitics as “necroliberalism” in order to capture the specific ways in which neoliberal discourses of responsibilization and prudentialism serve to reproduce and maintain necropolitical governing in the Mexico-US border region in the context of transnational political activism.","PeriodicalId":44647,"journal":{"name":"CAMERA OBSCURA","volume":null,"pages":null},"PeriodicalIF":0.1000,"publicationDate":"2024-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"CAMERA OBSCURA","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1215/02705346-11024044","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
引用次数: 0
Abstract
“Castle & Crook” argues that the documentary films Maquilapolis (City of Factories) (dir. Vicky Funari, Sergio De La Torre, Mexico/US, 2006) and Señorita Extraviada (Missing Young Woman) (dir. Lourdes Portillo, Mexico/US, 2001) offer critical insights into the necropolitical dimensions of neoliberal modernization along the US-Mexico border during the post-NAFTA era through the turn of the millennium. Both films represent the intersection of neoliberalism and necropolitics, particularly in terms of the spatial aspects or modalities of necropower that inhere in neoliberal development. Moreover, I refer to this complex and violent assemblage of neoliberalism and necropolitics as “necroliberalism” in order to capture the specific ways in which neoliberal discourses of responsibilization and prudentialism serve to reproduce and maintain necropolitical governing in the Mexico-US border region in the context of transnational political activism.
期刊介绍:
Since its inception, Camera Obscura has devoted itself to providing innovative feminist perspectives on film, television, and visual media. It consistently combines excellence in scholarship with imaginative presentation and a willingness to lead media studies in new directions. The journal has developed a reputation for introducing emerging writers into the field. Its debates, essays, interviews, and summary pieces encompass a spectrum of media practices, including avant-garde, alternative, fringe, international, and mainstream. Camera Obscura continues to redefine its original statement of purpose. While remaining faithful to its feminist focus, the journal also explores feminist work in relation to race studies, postcolonial studies, and queer studies.