{"title":"The Mandinga Experience: Illusion and Proof in the Inquisition Case of Patrício de Andrade, 1690","authors":"Lexie Cook","doi":"10.1353/boc.2022.a927759","DOIUrl":null,"url":null,"abstract":"<p><p>Abstract:</p><p>In 1690, Capeverdean freedman and servant Patrício de Andrade was sentenced to exile by the Portuguese Inquisition for putting on performances of bodily invulnerability so convincing that no one could believe he had not made a pact with the devil. These performances, which he called <i>experiências</i> (from <i>experientia</i> meaning both experience and experiment), had a purpose: to demonstrate the protective powers of the amulets he made and sold, later known as <i>bolsas de mandinga</i>. But Patrício, as he sought to prove to the inquisitors, was an illusionist and swindler, whose <i>experiences</i> relied not on diabolical assistance, but on his own <i>dexterity, artifice</i>, and <i>pretense</i>. This article reconstructs and analyzes these performances inside and outside the space of the inquisition tribunal, showing how <i>mandingueiros</i> like Patrício both dramatized and promised a solution to pervasive fears around violence and bodily insecurity in Lisbon and across the empire, and mastered a vocabulary of experiential proof that, before the law, put considerable pressure on existing regimes of verification.</p></p>","PeriodicalId":42292,"journal":{"name":"BULLETIN OF THE COMEDIANTES","volume":"39 1","pages":""},"PeriodicalIF":0.3000,"publicationDate":"2024-05-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"BULLETIN OF THE COMEDIANTES","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/boc.2022.a927759","RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0
Abstract
Abstract:
In 1690, Capeverdean freedman and servant Patrício de Andrade was sentenced to exile by the Portuguese Inquisition for putting on performances of bodily invulnerability so convincing that no one could believe he had not made a pact with the devil. These performances, which he called experiências (from experientia meaning both experience and experiment), had a purpose: to demonstrate the protective powers of the amulets he made and sold, later known as bolsas de mandinga. But Patrício, as he sought to prove to the inquisitors, was an illusionist and swindler, whose experiences relied not on diabolical assistance, but on his own dexterity, artifice, and pretense. This article reconstructs and analyzes these performances inside and outside the space of the inquisition tribunal, showing how mandingueiros like Patrício both dramatized and promised a solution to pervasive fears around violence and bodily insecurity in Lisbon and across the empire, and mastered a vocabulary of experiential proof that, before the law, put considerable pressure on existing regimes of verification.
期刊介绍:
Published semiannually by the Comediantes, an international group of scholars interested in early modern Hispanic theater, the Bulletin welcomes articles and notes in Spanish and English dealing with sixteenth- and seventeenth-century peninsular and colonial Latin American drama. Submissions are refereed by at least two specialists in the field. In order to expedite a decision.