Multi-Contextual Revival, Hidden Inheritance Cycle, and Fieldwork Methodology Behind the Case of Dongpu Bamboo Horse in Guangdong

Q3 Arts and Humanities Asian-European Music Research Journal Pub Date : 2024-06-03 DOI:10.30819/aemr.13-9
Yin Xiang [尹翔] [尹翔]
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Abstract

This paper specifically focuses on a specific type of long-term fieldwork that is closely linked to the inheritance cycle. This study employs a historical and longitudinal approach to investigate the history and two instances of revival that took place in 2016 and 2021 of the Bamboo Horse in Dongpu village, situated in the Hailufeng region of Guangdong province. The two revivals occurred for distinct purposes: one was to participate in the ceremony in 2016, while the other was for the Intangible Cultural Heritage project in 2021. This study identified and examined the pattern of inheritance and conducted a comparative analysis to identify the variations and similarities across different periods of replay. The significance of this paper lies in its extensive and ongoing fieldwork, which involves continuous observation and contemplation of a specific subject. Over time, this research sheds light on how our perception and comprehension of this particular type of drama evolve. Furthermore, the consistent performance and status of Bamboo Horse are closely intertwined with the intrinsic nature of this ritualistic form of drama, and the change of the function of the drama in different contexts.
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广东东坡竹马个案背后的多语境复兴、隐性传承周期与田野调查方法论
本文特别关注一种与传承周期密切相关的特定类型的长期田野调查。本研究采用历史和纵向的方法,调查了广东省海陆丰地区东埔村竹马的历史以及 2016 年和 2021 年的两次复兴。这两次复兴的目的截然不同:一次是为了参加 2016 年的祭典,另一次是为了 2021 年的非物质文化遗产项目。本研究确定并研究了传承模式,并进行了比较分析,以确定不同时期复演的异同。本文的意义在于其广泛而持续的田野调查,包括对特定主题的持续观察和思考。随着时间的推移,这项研究揭示了我们对这一特殊戏剧类型的感知和理解是如何演变的。此外,《竹马》的一贯表现和地位与这种仪式性戏剧形式的内在性质以及戏剧功能在不同语境中的变化密切相关。
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来源期刊
Asian-European Music Research Journal
Asian-European Music Research Journal Arts and Humanities-Museology
CiteScore
0.30
自引率
0.00%
发文量
11
审稿时长
15 weeks
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