Sõda eesti laste- ja noortekirjanduses / War in Estonian children’s and youth literature

Ave Mattheus
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Artikkel keskendub valdavalt eraldi kaante vahel ilmunud teostele, mis moodustavad vaid ühe osa mahukast tekstikorpusest, toob välja algupärases sõjateemalises laste- ja noortekirjanduses kõige enam kasutatud ainestikud ja motiivid ning loetleb sõjateema edasise uurimise võimalusi. \n  \nThe article gives a historical overview of war-themed texts in Estonian children’s and youth literature. The choice of the research topic is motivated by Russia’s military invasion of Ukraine in February 2022, which also changed the sense of security in our region. It has also prompted children’s and young adult writers to reflect on war and peace, resistance and cooperation, justice and injustice in a form that is appropriate and comprehensible to young readers. \nFrom the earliest storybooks at the turn of the 19th century, which include texts about young men conscripted into military service, to the most recent picture books about war from 2023, the article provides a chronological overview of works for children and young people depicting war, occupation, revolution or other events of a military nature and their related aspects. The article looks at works published mainly in book form, covering only part of a large corpus of texts. Texts published in journals, story collections, anthologies, school textbooks and elsewhere have been excluded for reasons of space. \nThe theme of war in Estonian children’s and youth literature has become topical in connection with the turning points in Estonian history (revolutions, wars, occupations), and also bears the ideological signs of the time. However, as early as the 19th century, during the period of national awakening, national mythological and romantic material (the ancient struggle for freedom and the so-called Lembitu line; the so-called Jüriöö text) was introduced into literature, and has remained topical to the present day. \nThe theme of war has been used more in periods when it was important to strengthen the nation’s sense of unity (the Republic of Estonia before the Second World War) or to justify regime change and new ideology (Soviet Estonia). Texts published in these periods stand out for their strong combative or combative-propagandist stance, strong and/or ideologised characters, sharp confrontations, realistic depictions of violence and death. The war texts that have appeared in free society in the last few decades are predominantly childhood memoirs of a long-ago war or occupation, although they are still generally told in an exclusionary, fragmented way through a narrative of silence. The trauma narrative has not been as topical in Estonian children’s and young people’s war literature as it has been in Western literature in recent decades. \nIn Estonian children’s and young adult literature, most of the war stories are realistic, with human characters and real or possible situations, with only a few animal tales. To a large extent, the way a story is presented depends on the theme, genre and the age of the reader of the text. The majority of war stories are written by men, while women’s voices can be heard in memoirs, fairy tales and, to a lesser extent, folk mythological histories. Most of the works have an autobiographical background, i.e. the writers have themselves participated in the war and/or lived under occupation. This leads to a situation in which male characters are in the foreground and the events are characterised by adventures, intense confrontations and action. Girls came to Estonian children and young people’s war literature during the over-militarised Soviet era. 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引用次数: 0

Abstract

Teesid: Tõukudes juba kolmandat aastat käivast sõjast Ukrainas, millele eesti autorid on reageerinud kiiresti ja erksa meelega, võtab artikkel vaatluse alla sõjateema kajastuse eesti algupärases laste- ja noortekirjanduses läbi aegade. Alates kõige varasematest juturaamatutest 18./19. sajandi vahetusel, mis sisaldavad tekste sõjaväeteenistusse saadetud noormeestest, kuni kõige uuemate sõjast rääkivate pildiraamatuteni 2023. aastast annab artikkel kronoloogilise ülevaate lastele ja noortele suunatud teostest, mis kujutavad sõda, okupatsioone, revolutsioone või mõnd muud militaarse iseloomuga sündmust ning nendega seotud aspekte. Artikkel keskendub valdavalt eraldi kaante vahel ilmunud teostele, mis moodustavad vaid ühe osa mahukast tekstikorpusest, toob välja algupärases sõjateemalises laste- ja noortekirjanduses kõige enam kasutatud ainestikud ja motiivid ning loetleb sõjateema edasise uurimise võimalusi.   The article gives a historical overview of war-themed texts in Estonian children’s and youth literature. The choice of the research topic is motivated by Russia’s military invasion of Ukraine in February 2022, which also changed the sense of security in our region. It has also prompted children’s and young adult writers to reflect on war and peace, resistance and cooperation, justice and injustice in a form that is appropriate and comprehensible to young readers. From the earliest storybooks at the turn of the 19th century, which include texts about young men conscripted into military service, to the most recent picture books about war from 2023, the article provides a chronological overview of works for children and young people depicting war, occupation, revolution or other events of a military nature and their related aspects. The article looks at works published mainly in book form, covering only part of a large corpus of texts. Texts published in journals, story collections, anthologies, school textbooks and elsewhere have been excluded for reasons of space. The theme of war in Estonian children’s and youth literature has become topical in connection with the turning points in Estonian history (revolutions, wars, occupations), and also bears the ideological signs of the time. However, as early as the 19th century, during the period of national awakening, national mythological and romantic material (the ancient struggle for freedom and the so-called Lembitu line; the so-called Jüriöö text) was introduced into literature, and has remained topical to the present day. The theme of war has been used more in periods when it was important to strengthen the nation’s sense of unity (the Republic of Estonia before the Second World War) or to justify regime change and new ideology (Soviet Estonia). Texts published in these periods stand out for their strong combative or combative-propagandist stance, strong and/or ideologised characters, sharp confrontations, realistic depictions of violence and death. The war texts that have appeared in free society in the last few decades are predominantly childhood memoirs of a long-ago war or occupation, although they are still generally told in an exclusionary, fragmented way through a narrative of silence. The trauma narrative has not been as topical in Estonian children’s and young people’s war literature as it has been in Western literature in recent decades. In Estonian children’s and young adult literature, most of the war stories are realistic, with human characters and real or possible situations, with only a few animal tales. To a large extent, the way a story is presented depends on the theme, genre and the age of the reader of the text. The majority of war stories are written by men, while women’s voices can be heard in memoirs, fairy tales and, to a lesser extent, folk mythological histories. Most of the works have an autobiographical background, i.e. the writers have themselves participated in the war and/or lived under occupation. This leads to a situation in which male characters are in the foreground and the events are characterised by adventures, intense confrontations and action. Girls came to Estonian children and young people’s war literature during the over-militarised Soviet era. Although writing about war is the most difficult and problematic for young children, both from an age and education point of view, there is literature for them (picture books, books about war games). War-themed texts in Estonian children’s and youth literature mainly pursue educational aims (stories of masculinisation, stories of cooperation, presentations of Estonian history in exile, reminiscences of tragic times in contemporary memoirs), but in certain periods political (the period of the Estonian Republic, exile) and ideological aims (Soviet Estonia) have been more prominent. The article outlines the most frequently used themes and motifs in Estonian children’s and young adult literature on war and lists possibilities for further research on war.
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Sõda eesti laste- ja noortekirjanduses / 爱沙尼亚儿童和青少年文学中的战争
乌克兰在乌克兰,许多国家的当局都对乌克兰进行了调查,并对所有的乌克兰法律进行了修订。在 2023 年的第 18/19 周年纪念活动中,我们将继续开展各种活动,并将在 2023 年的第 18/19 周年纪念活动中继续开展各种活动。在这些问题中,有的涉及社会、经济、政治和军事问题,有的涉及政治、经济和军事问题,有的涉及社会、经济和军事问题,有的涉及政治、经济和军事问题。这篇文章对战争的历史进行了综述,并对战争中的各种因素进行了分析,其中包括战争的动机、战争的目的、战争的方式、战争的结果、战争的影响、战争的后果、战争的后果的影响、战争的结果的影响、战争的结果的影响、战争的结果的影响、战争的结果的影响、战争的结果的影响、战争的结果的影响、战争的结果的影响、战争的结果的影响、战争的结果的影响、战争的结果的影响、战争的结果的影响、战争的结果的影响、战争的结果的影响、战争的结果的影响、战争的结果的影响、战争的结果的影响、战争的结果的影响、战争的结果的影响、战争的结果的影响、战争的结果的影响、战争的结果的影响、战争的结果的影响、战争的结果的影响、战争的结果的影响、战争的结果的影响等。 文章概述了爱沙尼亚儿童和青少年文学中以战争为主题的文本的历史。之所以选择这个研究课题,是因为 2022 年 2 月俄罗斯对乌克兰的军事入侵也改变了我们地区的安全感。这也促使儿童和青少年作家以适合青少年读者理解的形式反思战争与和平、抵抗与合作、正义与非正义。从 19 世纪初最早的故事书(其中包括关于应征服兵役的年轻人的文字)到 2023 年最新的战争绘本,文章按时间顺序概述了描写战争、占领、革命或其他军事性质事件及其相关方面的儿童和青少年作品。文章关注的主要是以图书形式出版的作品,只涉及大量文本中的一部分。由于篇幅原因,在期刊、故事集、选集、学校教科书和其他地方出版的文本未包括在内。爱沙尼亚儿童和青少年文学中的战争主题已成为与爱沙尼亚历史转折点(革命、战 争、占领)有关的热门话题,也带有当时的意识形态标志。然而,早在 19 世纪,在民族觉醒时期,民族神话和浪漫主义素材(古代争取自由的斗争和所谓的 Lembitu 线;所谓的 Jüriöö 文本)就被引入了文学作品,直到今天仍是热门话题。战争题材更多地被用于加强民族团结意识(第二次世界大战前的爱沙尼亚共和国)或为政权更迭和新意识形态辩护(苏维埃爱沙尼亚)的时期。这些时期出版的文本因其强烈的战斗或战斗宣传立场、鲜明和/或意识形态化的人物形象、尖锐的对抗、对暴力和死亡的真实描写而脱颖而出。在过去几十年中,自由社会中出现的战争题材作品主要是童年回忆录,讲述的是很久以前的战争或占领,尽管这些作品一般都是通过沉默叙事的方式,以一种排他性的、支离破碎的方式讲述的。在爱沙尼亚的儿童和青少年战争文学中,创伤叙事并不像近几十年来西方文学中那样热门。在爱沙尼亚儿童和青少年文学中,大多数战争故事都是现实主义的,有人类角色和真实或可能发生的情况,只有少数动物故事。在很大程度上,故事的表现方式取决于主题、体裁和读者的年龄。大多数战争故事都是由男性撰写的,而在回忆录、童话故事以及较少的民间神话历史中都能听到女性的声音。大多数作品都有自传背景,即作者本人参加过战争和/或在占领区生活过。这就导致了男性角色处于前台的情况,事件的特点是冒险、激烈对抗和行动。在过度军事化的苏联时期,爱沙尼亚儿童和青少年战争文学中出现了女孩的身影。尽管从年龄和教育的角度来看,写战争对幼儿来说是最困难和最成问题的,但还是有适合他们的文学作品(图画书,关于战争游戏的书)。爱沙尼亚儿童和青年文学中的战争题材文本主要追求教育目的(男性化故事、合作 故事、爱沙尼亚流亡历史介绍、当代回忆录中对悲惨时代的回忆),但在某些时期,政 治目的(爱沙尼亚共和国时期、流亡)和意识形态目的(苏维埃爱沙尼亚)更为突出。文章概述了爱沙尼亚儿童和青少年战争文学中最常用的主题和图案,并列出了进一步研究战争的可能性。
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