The Empowerment of Female Tv Series Characters on Digital Platforms: An Analysis of the 2023 Blu Tv Series

Ayşegül Akaydın Aydın, Nur Emine Koç
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Abstract

This study focuses on original Turkish TV series from 2023 on Blu TV, the most watched digital platform in Turkey. Blu TV, Turkey's first digital platform, ranked first as the most-watched platform in 2023 with a 38% viewership rate. It was followed by Netflix with 27% and Prime Video with 19%. In the study, the female characters of two serials that started to be broadcast on Blu TV in 2023 are analyzed. These serials are 'Magarsus' and 'How Do I Fill This Emptiness?'. Female characters in Turkish TV series broadcast on digital platforms are structurally different from the characters that appear in traditional television serials. Digital female serial characters are at the forefront with their different professions, sexuality, and power. Whether they are ballerinas, writers, cleaners, or the head of a traditional family, these characters are framed as free and independent. The study is based on the argument that the serial content of digital platforms is more independent and the fiction of characters is more conflict-based. The female characters in these serials are analyzed through Erving Goffman's theory of self-presentation,  under the headings of performance, teams, regional behaviors, role strain, out-of-character, and the art of impression management. It is determined that the female characters analyzed emerge in the free environment of digital, their character development and conflicts about their identities due to their families and societies can easily be felt by the audience in the frontstage and backstage themes.
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数字平台上女性电视剧角色的赋权:2023》蓝光电视剧分析
本研究重点关注土耳其收视率最高的数字平台Blu TV上2023年的土耳其原创电视剧。作为土耳其的第一个数字平台,Blu TV 在 2023 年以 38% 的收视率成为收视率最高的平台。紧随其后的是 Netflix(27%)和 Prime Video(19%)。本研究对 2023 年开始在蓝光电视上播放的两部连续剧中的女性角色进行了分析。这两部连续剧分别是《Magarsus》和《我该如何填补这份空虚?在数字平台上播出的土耳其电视剧中的女性角色在结构上与传统电视连续剧中的角色有所不同。数字连续剧中的女性角色以其不同的职业、性取向和权力走在前列。无论是芭蕾舞演员、作家、清洁工,还是传统家庭的户主,这些角色都被塑造成自由、独立的形象。本研究的论点是,数字平台的连续剧内容更加独立,人物的虚构更加以冲突为基础。通过埃尔文-戈夫曼的自我展示理论,从表演、团队、区域行为、角色紧张、出格和印象管理艺术等方面对这些连续剧中的女性角色进行了分析。结果表明,被分析的女性角色是在自由的数字环境中出现的,她们的性格发展以及因家庭和社会而产生的身份冲突很容易让观众在台前幕后的主题中感受到。
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